Is Has the Film Already Started? Worth Watching? Honest Movie Review & Audience Verdict (1951)

The Narrative Arc & Core Premise

Debuting in 1951, Has the Film Already Started? represents a sophisticated intersection of artistic ambition and genre-defining elements within the Fantasy category. The primary thematic concern of the film is an investigation into “A pink moving screen will stand at the entrance to the theatre, in the night. As the story unfolds, we are introduced to a world where the traditional boundaries of Fantasy are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "“A pink moving screen will stand at the entrance to the theatre, in the night. One hour before the screening a projectionist will show Griffith’s Intolerance on this screen. The start of the film will be announced at 8.30 but no one will enter before 9.30. During these 60 minutes of waiting, people on the first floor of the building will shake out very dusty carpets, and someone else will throw ice water on the heads of those spectators waiting for the screening. Some actors who have infiltrated the crowd will insult other actors on the first floor. At this moment only, and to stop the beginning of a scandal, the doors of the theatre will open…”"

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Audiences are treated to a masterclass in acting by the ensemble cast, whose portrayal of the protagonist is imbued with a depth and vulnerability that is rare in contemporary Fantasy. The chemistry with the supporting players is palpable, creating a gravity that pulls the viewer into the screen.

The direction by Maurice Lemaître is marked by a bold and uncompromising hand. Technically, the film is a tour de force. The cinematography makes exceptional use of light and shadow, creating a visual language that mirrors the character's internal journey. The soundscape is equally impressive, with a score that is both haunting and celebratory, perfectly aligned with the thematic progression of the plot. The pacing, over its 62 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is Has the Film Already Started? truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Fantasy, then this is a mandatory viewing experience, a film that will haunt your thoughts long after you leave the theater.

The film's ability to transcend its genre labels is why it has earned its 7.8/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, Has the Film Already Started? explores the dichotomy of truth and perception. The 1951 audience is increasingly sophisticated, and Maurice Lemaître respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, Has the Film Already Started? is a rare gem that rewards the audience's attention with a profound and lasting impact. Whether you are drawn to it by the star power of the ensemble cast or the critical acclaim surrounding its release, Has the Film Already Started? is a film that demands to be seen on the largest screen possible.