Is Here I Am, Here I'm Not Worth Watching? Honest Movie Review & Audience Verdict (2012)

The Narrative Arc & Core Premise

Here I Am, Here I'm Not, a standout production of 2012, meticulously weaves its narrative threads through the Comedy, Drama landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into Ramiro is a journalist that after being on a car accident, develops phobia to speed. As the story unfolds, we are introduced to a world where the traditional boundaries of Comedy, Drama are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Ramiro is a journalist that after being on a car accident, develops phobia to speed. Suspended from his job, a mysterious publisher commissioned him to write the unauthorized biography of Ana Patricia Jones Ahumada, a Chilean rock legend. The investigation leads them to start a relationship, until one day she dies in a car accident. Devastated, Ramiro meets a woman of identical features and try to reconstruct it the image of his beloved, but is this a coincidence? Free adaptation of Hitchcock’s Vertigo."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Despite the inherent talent of Juan Pablo Correa, the performance in Here I Am, Here I'm Not feels somewhat constrained by a narrative framework that doesn't fully exploit their range. There are flashes of brilliance, but the overall impact is muted.

The direction by Elisa Eliash is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 96 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is Here I Am, Here I'm Not truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Comedy, Drama, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, Here I Am, Here I'm Not explores the dichotomy of truth and perception. The 2012 audience is increasingly sophisticated, and Elisa Eliash respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, Here I Am, Here I'm Not is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Juan Pablo Correa or the critical acclaim surrounding its release, Here I Am, Here I'm Not is a film that demands to be seen on the largest screen possible.