
Is Historias Breves II: Trece Segundos Worth Watching? Honest Movie Review & Audience Verdict (1996)
What goes through someone's mind 13 seconds before they die? A town lost in the year 40. Different characters in their common actions. Two men lying in the street, one dead, the other playing dead. Between reality and the delusions of his mind we travel through his last thirteen seconds of life.
✨ The Quick Verdict
If you are a fan of Drama cinema, then Historias Breves II: Trece Segundos offers a standard experience that justifies its existence in the 1996 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
Debuting in 1996, Historias Breves II: Trece Segundos represents a sophisticated intersection of artistic ambition and genre-defining elements within the Drama category. The primary thematic concern of the film is an investigation into What goes through someone's mind 13 seconds before they die? A town lost in the year 40. As the story unfolds, we are introduced to a world where the traditional boundaries of Drama are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "What goes through someone's mind 13 seconds before they die? A town lost in the year 40. Different characters in their common actions. Two men lying in the street, one dead, the other playing dead. Between reality and the delusions of his mind we travel through his last thirteen seconds of life."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Despite the inherent talent of Tito Gómez, the performance in Historias Breves II: Trece Segundos feels somewhat constrained by a narrative framework that doesn't fully exploit their range. There are flashes of brilliance, but the overall impact is muted.
The direction by Maximiliano González is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 12 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Historias Breves II: Trece Segundos truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Drama, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 3/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Historias Breves II: Trece Segundos explores the dichotomy of truth and perception. The 1996 audience is increasingly sophisticated, and Maximiliano González respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Historias Breves II: Trece Segundos is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Tito Gómez or the critical acclaim surrounding its release, Historias Breves II: Trece Segundos is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 0.2 hours, the film requires a standard time commitment.