Is Holst and Vaughan Williams: Making Music English Worth Watching? Honest Movie Review & Audience Verdict (2018)

The Narrative Arc & Core Premise

In the evolving tapestry of Documentary, Music cinema, the 2018 release of Holst and Vaughan Williams: Making Music English stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into Historian Amanda Vickery and broadcaster Tom Service unearth the fascinating story of the life-long friendship between composers Ralph Vaughan Williams and Gustav Holst, whose music gave birth to the 'English sound' in the first half of the 20th century. As the story unfolds, we are introduced to a world where the traditional boundaries of Documentary, Music are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Historian Amanda Vickery and broadcaster Tom Service unearth the fascinating story of the life-long friendship between composers Ralph Vaughan Williams and Gustav Holst, whose music gave birth to the 'English sound' in the first half of the 20th century. They retrace the walking trips the two composers took together across the country to discover how influences ranging from the Renaissance masters to folk music imbued their music with the 'Englishness' we recognise today."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Despite the inherent talent of Amanda Vickery, the performance in Holst and Vaughan Williams: Making Music English feels somewhat constrained by a narrative framework that doesn't fully exploit their range. There are flashes of brilliance, but the overall impact is muted.

The direction by Alastair Laurence is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 58 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is Holst and Vaughan Williams: Making Music English truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Documentary, Music, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, Holst and Vaughan Williams: Making Music English explores the dichotomy of truth and perception. The 2018 audience is increasingly sophisticated, and Alastair Laurence respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, Holst and Vaughan Williams: Making Music English is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Amanda Vickery or the critical acclaim surrounding its release, Holst and Vaughan Williams: Making Music English is a film that demands to be seen on the largest screen possible.