Is It Has Already Been Ended Before You Can See the End Worth Watching? Honest Movie Review & Audience Verdict (2012)

The Narrative Arc & Core Premise

It Has Already Been Ended Before You Can See the End, a standout production of 2012, meticulously weaves its narrative threads through the Documentary, Fantasy landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into A film about “the end”. As the story unfolds, we are introduced to a world where the traditional boundaries of Documentary, Fantasy are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "A film about “the end”. The end has already started, and ended. We call it “the end” in order to perceive it and make it “visible”, but it had already passed when we called it “the end” , or “the end” is always penetrating the present, so we can not recognize time of the end. The end has already started, and ended. The disaster of an earthquake and nuclear crisis in 2011 Japan affected a lot when it comes to making artworks. This work is the first film of a series called PIXCANNING. The word “Pixcanning” is coined from “pix (picture / pixel)” and “scanning” . It is a method used to scoop up (scanning) elements that pass through the meshes of perception (pixel) when images (picture) appear or images are constructed."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. In It Has Already Been Ended Before You Can See the End, we see the ensemble cast utilizing their established screen presence to carry the story forward. It is a solid, workmanlike performance that serves the director's vision without overshadowing the larger narrative goals.

The direction by Shigeo Arikawa is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 11 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is It Has Already Been Ended Before You Can See the End truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Documentary, Fantasy, then this is a highly recommended entry that delivers on its promises while offering a few surprises along the way.

The film's ability to perfectly execute its genre requirements is why it has earned its 6/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, It Has Already Been Ended Before You Can See the End explores the dichotomy of truth and perception. The 2012 audience is increasingly sophisticated, and Shigeo Arikawa respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, It Has Already Been Ended Before You Can See the End serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of the ensemble cast or the critical acclaim surrounding its release, It Has Already Been Ended Before You Can See the End is a film that demands to be seen on the largest screen possible.