RATING★ 9.0
WORTH IT? YES
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Expert Review & Ratings

See our full critical analysis and audience score for It's Okay.

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WORTH WATCHING: YES
Editorial Verified

Is It's Okay Worth Watching? Honest Movie Review & Audience Verdict (2020)

What do you do, when you don't know what's real? “It’s Okay” follows a couple as their life takes an unexpected turn, in this fast paced, sci-fi short.

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✨ The Quick Verdict

YES, ABSOLUTELY

If you are a fan of Science Fiction cinema, then It's Okay offers a fresh and engaging experience that justifies its existence in the 2020 landscape.

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👥 Target Audience

Fans of Science Fiction films
Viewers seeking quality storytelling

📔 Detailed Analysis

The Narrative Arc & Core Premise

In the evolving tapestry of Science Fiction cinema, the 2020 release of It's Okay stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into What do you do, when you don't know what's real? “It’s Okay” follows a couple as their life takes an unexpected turn, in this fast paced, sci-fi short. As the story unfolds, we are introduced to a world where the traditional boundaries of Science Fiction are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "What do you do, when you don't know what's real? “It’s Okay” follows a couple as their life takes an unexpected turn, in this fast paced, sci-fi short."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Audiences are treated to a masterclass in acting by Audrey Flegel, whose portrayal of the protagonist is imbued with a depth and vulnerability that is rare in contemporary Science Fiction. The chemistry with the supporting players is palpable, creating a gravity that pulls the viewer into the screen.

The direction by Justin Giddings is marked by a bold and uncompromising hand. Technically, the film is a tour de force. The cinematography makes exceptional use of light and shadow, creating a visual language that mirrors the character's internal journey. The soundscape is equally impressive, with a score that is both haunting and celebratory, perfectly aligned with the thematic progression of the plot. The pacing, over its 9 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is It's Okay truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Science Fiction, then this is a mandatory viewing experience, a film that will haunt your thoughts long after you leave the theater.

The film's ability to transcend its genre labels is why it has earned its 9/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, It's Okay explores the dichotomy of truth and perception. The 2020 audience is increasingly sophisticated, and Justin Giddings respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, It's Okay is a rare gem that rewards the audience's attention with a profound and lasting impact. Whether you are drawn to it by the star power of Audrey Flegel or the critical acclaim surrounding its release, It's Okay is a film that demands to be seen on the largest screen possible.

Official movieMx Verdict: EXCEPTIONAL - A MUST-WATCH

⏳ Time Investment

9MIN

At approximately 0.2 hours, the film requires a standard time commitment.

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