Is Kinky Babylon Worth Watching? Honest Movie Review & Audience Verdict (1979)
Black and white UCLA Student Film, Preserved by the UCLA Film and Television Archive. Edgar, a Jamaican American who is smoking marijuana, drinking whiskey, and making love to his girlfriend Sam (Samantha) in a car overlooking the city, witnesses a Mercedes-driving European man who quotes Steppenwolf murder a girl. Edgar reports the murder and identifies the murderer from photographs, but the murderer works with the police to frame Edgar as "the moonlight rapist." At the end of the film, Sam, who previously wore glasses and a blonde wig, is seen discarding the glasses and wig and escaping with Edgar, over the protests of her mother. Among the photographs shown Edgar by the police for identification purposes are photographs of Bob Rosen and Geoff Gilmore.
✨ The Quick Verdict
If you are a fan of cinema, then Kinky Babylon offers a standard experience that justifies its existence in the 1979 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
Debuting in 1979, Kinky Babylon represents a sophisticated intersection of artistic ambition and genre-defining elements within the Modern Cinema category. The primary thematic concern of the film is an investigation into Black and white UCLA Student Film, Preserved by the UCLA Film and Television Archive. As the story unfolds, we are introduced to a world where the traditional boundaries of Modern Cinema are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Black and white UCLA Student Film, Preserved by the UCLA Film and Television Archive. Edgar, a Jamaican American who is smoking marijuana, drinking whiskey, and making love to his girlfriend Sam (Samantha) in a car overlooking the city, witnesses a Mercedes-driving European man who quotes Steppenwolf murder a girl. Edgar reports the murder and identifies the murderer from photographs, but the murderer works with the police to frame Edgar as "the moonlight rapist." At the end of the film, Sam, who previously wore glasses and a blonde wig, is seen discarding the glasses and wig and escaping with Edgar, over the protests of her mother. Among the photographs shown Edgar by the police for identification purposes are photographs of Bob Rosen and Geoff Gilmore."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The presence of Mike James provides a necessary level of professionalism to the production, even when the underlying script struggles to maintain a consistent tone. It is a testament to their skill that they remain the most engaging element of the film.
The direction by Greyling William is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its N/A minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Kinky Babylon truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Modern Cinema, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Kinky Babylon explores the dichotomy of truth and perception. The 1979 audience is increasingly sophisticated, and Greyling William respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Kinky Babylon is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Mike James or the critical acclaim surrounding its release, Kinky Babylon is a film that demands to be seen on the largest screen possible.