RATING★ 7.9
WORTH IT? YES
Laurel and Hardy's Laughing 20's backdrop
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Expert Review & Ratings

See our full critical analysis and audience score for Laurel and Hardy's Laughing 20's.

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WORTH WATCHING: YES
Editorial Verified

Is Laurel and Hardy's Laughing 20's Worth Watching? Honest Movie Review & Audience Verdict (1965)

A compilation of primarly Laurel and Hardy shorts---From Soup to Nuts, Wrong Again, Putting the Pants on Philip, The Finishing Touch, Sugar Daddies and short clips from others---plus Max Davidson's Call of the Cuckoo and Dumb Daddies, with some cross-over Charley Chase footage, which, along with Robert Youngson's previous "The Golden Age of Comedy", "When Comedy Was King", "Days of Thrills and Laughter", led to a renewed interest in and a revival of television showings of Laurel and Hardy shorts. The cast was billed in order of their appearance: Oliver Hardy, Stan Laurel, Vivien Oakland (with a Vivian typo), Glen Tyron, Edna Murphy, Anita Garvin, Tiny Sanford, Jimmy Finlayson, Charlie Chase, Viola Richard, Max Davidson, Del Henderson, Josephine Crowell, Anders Randolf (as Anders Randolph), Edgar Kennedy, Dorothy Coburn, Lillian Elliott and "Spec" O'Donnell.

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✨ The Quick Verdict

YES, ABSOLUTELY

If you are a fan of Comedy cinema, then Laurel and Hardy's Laughing 20's offers a fresh and engaging experience that justifies its existence in the 1965 landscape.

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👥 Target Audience

Fans of Comedy films
Viewers seeking quality storytelling

📔 Detailed Analysis

The Narrative Arc & Core Premise

In the evolving tapestry of Comedy cinema, the 1965 release of Laurel and Hardy's Laughing 20's stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into A compilation of primarly Laurel and Hardy shorts---From Soup to Nuts, Wrong Again, Putting the Pants on Philip, The Finishing Touch, Sugar Daddies and short clips from others---plus Max Davidson's Call of the Cuckoo and Dumb Daddies, with some cross-over Charley Chase footage, which, along with Robert Youngson's previous "The Golden Age of Comedy", "When Comedy Was King", "Days of Thrills and Laughter", led to a renewed interest in and a revival of television showings of Laurel and Hardy shorts. As the story unfolds, we are introduced to a world where the traditional boundaries of Comedy are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "A compilation of primarly Laurel and Hardy shorts---From Soup to Nuts, Wrong Again, Putting the Pants on Philip, The Finishing Touch, Sugar Daddies and short clips from others---plus Max Davidson's Call of the Cuckoo and Dumb Daddies, with some cross-over Charley Chase footage, which, along with Robert Youngson's previous "The Golden Age of Comedy", "When Comedy Was King", "Days of Thrills and Laughter", led to a renewed interest in and a revival of television showings of Laurel and Hardy shorts. The cast was billed in order of their appearance: Oliver Hardy, Stan Laurel, Vivien Oakland (with a Vivian typo), Glen Tyron, Edna Murphy, Anita Garvin, Tiny Sanford, Jimmy Finlayson, Charlie Chase, Viola Richard, Max Davidson, Del Henderson, Josephine Crowell, Anders Randolf (as Anders Randolph), Edgar Kennedy, Dorothy Coburn, Lillian Elliott and "Spec" O'Donnell."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Audiences are treated to a masterclass in acting by Jay Jackson, whose portrayal of the protagonist is imbued with a depth and vulnerability that is rare in contemporary Comedy. The chemistry with the supporting players is palpable, creating a gravity that pulls the viewer into the screen.

The direction by Robert Youngson is marked by a bold and uncompromising hand. Technically, the film is a tour de force. The cinematography makes exceptional use of light and shadow, creating a visual language that mirrors the character's internal journey. The soundscape is equally impressive, with a score that is both haunting and celebratory, perfectly aligned with the thematic progression of the plot. The pacing, over its 91 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is Laurel and Hardy's Laughing 20's truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Comedy, then this is a mandatory viewing experience, a film that will haunt your thoughts long after you leave the theater.

The film's ability to transcend its genre labels is why it has earned its 7.9/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, Laurel and Hardy's Laughing 20's explores the dichotomy of truth and perception. The 1965 audience is increasingly sophisticated, and Robert Youngson respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, Laurel and Hardy's Laughing 20's is a rare gem that rewards the audience's attention with a profound and lasting impact. Whether you are drawn to it by the star power of Jay Jackson or the critical acclaim surrounding its release, Laurel and Hardy's Laughing 20's is a film that demands to be seen on the largest screen possible.

Official movieMx Verdict: EXCEPTIONAL - A MUST-WATCH

⏳ Time Investment

91MIN

At approximately 1.5 hours, the film requires a standard time commitment.

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