
Is Le Désirable et le Sublime Worth Watching? Honest Movie Review & Audience Verdict (1970)
A couple has found peace in a strange manor by the sea but, on a hot evening, a visitor comes, troubling their solitude. However, three is not actually a crowd and they start start talking, exchanging points of view about philosophy, sociology and politics, eroticism as well.
✨ The Quick Verdict
If you are a fan of cinema, then Le Désirable et le Sublime offers a standard experience that justifies its existence in the 1970 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
Le Désirable et le Sublime, a standout production of 1970, meticulously weaves its narrative threads through the Modern Cinema landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into A couple has found peace in a strange manor by the sea but, on a hot evening, a visitor comes, troubling their solitude. As the story unfolds, we are introduced to a world where the traditional boundaries of Modern Cinema are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "A couple has found peace in a strange manor by the sea but, on a hot evening, a visitor comes, troubling their solitude. However, three is not actually a crowd and they start start talking, exchanging points of view about philosophy, sociology and politics, eroticism as well."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Despite the inherent talent of Henri Piégay, the performance in Le Désirable et le Sublime feels somewhat constrained by a narrative framework that doesn't fully exploit their range. There are flashes of brilliance, but the overall impact is muted.
The direction by José Bénazéraf is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 80 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Le Désirable et le Sublime truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Modern Cinema, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 3.5/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Le Désirable et le Sublime explores the dichotomy of truth and perception. The 1970 audience is increasingly sophisticated, and José Bénazéraf respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Le Désirable et le Sublime is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Henri Piégay or the critical acclaim surrounding its release, Le Désirable et le Sublime is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 1.3 hours, the film requires a standard time commitment.