
Is L'estate sta finendo Worth Watching? Honest Movie Review & Audience Verdict (1987)
15-year-old Giuliana doesn't want to spend the summer with her rich mother, so—without a word—she leaves with Romeo, the son of the janitor of her building, embarking on a backpacking trip through Italy. Her divorced father is worried and decides to go in search of his daughter.
✨ The Quick Verdict
If you are a fan of Comedy, Family cinema, then L'estate sta finendo offers a standard experience that justifies its existence in the 1987 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
Debuting in 1987, L'estate sta finendo represents a sophisticated intersection of artistic ambition and genre-defining elements within the Comedy, Family category. The primary thematic concern of the film is an investigation into 15-year-old Giuliana doesn't want to spend the summer with her rich mother, so—without a word—she leaves with Romeo, the son of the janitor of her building, embarking on a backpacking trip through Italy. As the story unfolds, we are introduced to a world where the traditional boundaries of Comedy, Family are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "15-year-old Giuliana doesn't want to spend the summer with her rich mother, so—without a word—she leaves with Romeo, the son of the janitor of her building, embarking on a backpacking trip through Italy. Her divorced father is worried and decides to go in search of his daughter."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. While the script occasionally leans into familiar territory, the efforts of Fiorenza Tessari ensure that the emotional beats of L'estate sta finendo always land with sufficient weight. Fiorenza Tessari provides a steady, reliable performance that anchors the film through its narrative shifts.
The direction by Bruno Cortini is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 99 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is L'estate sta finendo truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Comedy, Family, then this is a highly recommended entry that delivers on its promises while offering a few surprises along the way.
The film's ability to perfectly execute its genre requirements is why it has earned its 6/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, L'estate sta finendo explores the dichotomy of truth and perception. The 1987 audience is increasingly sophisticated, and Bruno Cortini respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, L'estate sta finendo serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Fiorenza Tessari or the critical acclaim surrounding its release, L'estate sta finendo is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 1.7 hours, the film requires a standard time commitment.