
Is Lulu Worth Watching? Honest Movie Review & Audience Verdict (1980)
Lulu models for a young painter who tries to seduce her. When her husband enters the room he dies from a heart attack. Lulu marries the painter, who commits suicide when he finds out that she has been having a long standing affair with Dr Schon and whose son gives her a job. Lulu kills Dr Schon and goes to London to live with his son. Eventually, she becomes a prostitute and dies a victim of Jack the Ripper.
✨ The Quick Verdict
If you are a fan of Drama cinema, then Lulu offers a standard experience that justifies its existence in the 1980 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
In the evolving tapestry of Drama cinema, the 1980 release of Lulu stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into Lulu models for a young painter who tries to seduce her. As the story unfolds, we are introduced to a world where the traditional boundaries of Drama are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Lulu models for a young painter who tries to seduce her. When her husband enters the room he dies from a heart attack. Lulu marries the painter, who commits suicide when he finds out that she has been having a long standing affair with Dr Schon and whose son gives her a job. Lulu kills Dr Schon and goes to London to live with his son. Eventually, she becomes a prostitute and dies a victim of Jack the Ripper."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Anne Bennent does an admirable job with the material provided, but one can't help but feel that a more daring directorial approach would have yielded a more impactful result. It is a competent but ultimately standard genre performance.
The direction by Walerian Borowczyk is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 83 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Lulu truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Drama, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 4.1/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Lulu explores the dichotomy of truth and perception. The 1980 audience is increasingly sophisticated, and Walerian Borowczyk respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Lulu is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Anne Bennent or the critical acclaim surrounding its release, Lulu is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 1.4 hours, the film requires a standard time commitment.