Is Menschenfrauen Worth Watching? Honest Movie Review & Audience Verdict (1980)
Menschenfrauen is a film about relationships and the psychological oppression of women in society. Franz, a journalist, maintains relationships with four women. His three mistresses are introduced with television dreams of intense emotional violence (in the first dream, a mother shouts at her daughter, explaining that as a girl, she does not deserve a room of her own), and the fourth is his wife. He is desperate to have each to himself. Franz never offers a substantial sign of love, but is willing to say anything and make any promise for affection. His dependence on women for fulfilment is explained through arguments with his wife. He claims "I am my own sound. The women produce voices within me." An understandable and sometimes sympathetic antagonist is one of the films greatest strengths. The emotional damage he causes becomes believable.
✨ The Quick Verdict
If you are a fan of Drama, TV Movie cinema, then Menschenfrauen offers a standard experience that justifies its existence in the 1980 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
In the evolving tapestry of Drama, TV Movie cinema, the 1980 release of Menschenfrauen stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into Menschenfrauen is a film about relationships and the psychological oppression of women in society. As the story unfolds, we are introduced to a world where the traditional boundaries of Drama, TV Movie are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Menschenfrauen is a film about relationships and the psychological oppression of women in society. Franz, a journalist, maintains relationships with four women. His three mistresses are introduced with television dreams of intense emotional violence (in the first dream, a mother shouts at her daughter, explaining that as a girl, she does not deserve a room of her own), and the fourth is his wife. He is desperate to have each to himself. Franz never offers a substantial sign of love, but is willing to say anything and make any promise for affection. His dependence on women for fulfilment is explained through arguments with his wife. He claims "I am my own sound. The women produce voices within me." An understandable and sometimes sympathetic antagonist is one of the films greatest strengths. The emotional damage he causes becomes believable."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. While the script occasionally leans into familiar territory, the efforts of Elly Naschold ensure that the emotional beats of Menschenfrauen always land with sufficient weight. Elly Naschold provides a steady, reliable performance that anchors the film through its narrative shifts.
The direction by Valie Export is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 132 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Menschenfrauen truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Drama, TV Movie, then this is a highly recommended entry that delivers on its promises while offering a few surprises along the way.
The film's ability to perfectly execute its genre requirements is why it has earned its 6.3/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Menschenfrauen explores the dichotomy of truth and perception. The 1980 audience is increasingly sophisticated, and Valie Export respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Menschenfrauen serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Elly Naschold or the critical acclaim surrounding its release, Menschenfrauen is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 2.2 hours, the film requires a standard time commitment.