Is New Queer Visions: Seeing is Believing Worth Watching? Honest Movie Review & Audience Verdict (2020)
In a world where men hide their true love and feelings, where a mother turns a blind eye to her son's identity, and where religion dictates that a man may only lie with a woman — is everything we see truly what it seems to be? The latest release from New Queer Visions takes a look at representations of boys and men, how desires are hidden from those around them, and how self-belief conquers doubt. The short films are: Adult (2017); Hello, Stranger [Dag vreemde man] (2016); Little Potato (2017); Juan Gabriel is Dead [Se murió Juan Gabriel] (2018); The Guest [Le convive] (2017); Contestant #4 (2016).
✨ The Quick Verdict
If you are a fan of Drama cinema, then New Queer Visions: Seeing is Believing offers a standard experience that justifies its existence in the 2020 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
New Queer Visions: Seeing is Believing, a standout production of 2020, meticulously weaves its narrative threads through the Drama landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into In a world where men hide their true love and feelings, where a mother turns a blind eye to her son's identity, and where religion dictates that a man may only lie with a woman — is everything we see truly what it seems to be? The latest release from New Queer Visions takes a look at representations of boys and men, how desires are hidden from those around them, and how self-belief conquers doubt. As the story unfolds, we are introduced to a world where the traditional boundaries of Drama are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "In a world where men hide their true love and feelings, where a mother turns a blind eye to her son's identity, and where religion dictates that a man may only lie with a woman — is everything we see truly what it seems to be? The latest release from New Queer Visions takes a look at representations of boys and men, how desires are hidden from those around them, and how self-belief conquers doubt. The short films are: Adult (2017); Hello, Stranger [Dag vreemde man] (2016); Little Potato (2017); Juan Gabriel is Dead [Se murió Juan Gabriel] (2018); The Guest [Le convive] (2017); Contestant #4 (2016)."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Victoria Haralabidou does an admirable job with the material provided, but one can't help but feel that a more daring directorial approach would have yielded a more impactful result. It is a competent but ultimately standard genre performance.
The direction by Wes Hurley is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its N/A minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is New Queer Visions: Seeing is Believing truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Drama, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 3/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, New Queer Visions: Seeing is Believing explores the dichotomy of truth and perception. The 2020 audience is increasingly sophisticated, and Wes Hurley respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, New Queer Visions: Seeing is Believing is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Victoria Haralabidou or the critical acclaim surrounding its release, New Queer Visions: Seeing is Believing is a film that demands to be seen on the largest screen possible.