RATING★ TBA
WORTH IT? NO
No Ideas But in Things - the composer Alvin Lucier backdrop
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Expert Review & Ratings

See our full critical analysis and audience score for No Ideas But in Things - the composer Alvin Lucier.

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WORTH WATCHING: MIXED
Editorial Verified

Is No Ideas But in Things - the composer Alvin Lucier Worth Watching? Honest Movie Review & Audience Verdict (2012)

“Don’t ask me what I mean, ask me what I’ve made” – inspired by this motto, the documentary accompanies the American composer Alvin Lucier (1931 - 2021) on concert travels to The Hague (Netherlands) and Zug (Switzerland). Lucier explains and comments on his œuvre – from his early live electronics performances (MUSIC FOR SOLO PERFORMER,1965 and BIRD AND PERSON DYNING, 1975) up to the premiere of his ensemble piece PANORAMA 2 in 2011. One of Lucier’s key works, I AM SITTING IN A ROOM (1969), is introduced as a central structuring device in the film. At home in Middletown, Connecticut, Lucier offers rare insights into the beginnings of his pioneering works, his time as a member of the Sonic Arts Union, his relations with John Cage and David Tudor, as well as his teaching practice at Wesleyan University.

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✨ The Quick Verdict

SKIP IT

If you are a fan of Documentary cinema, then No Ideas But in Things - the composer Alvin Lucier offers a standard experience that justifies its existence in the 2012 landscape.

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👥 Target Audience

Fans of Documentary films
casual viewers seeking light entertainment

📔 Detailed Analysis

The Narrative Arc & Core Premise

No Ideas But in Things - the composer Alvin Lucier, a standout production of 2012, meticulously weaves its narrative threads through the Documentary landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into “Don’t ask me what I mean, ask me what I’ve made” – inspired by this motto, the documentary accompanies the American composer Alvin Lucier (1931 - 2021) on concert travels to The Hague (Netherlands) and Zug (Switzerland). As the story unfolds, we are introduced to a world where the traditional boundaries of Documentary are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "“Don’t ask me what I mean, ask me what I’ve made” – inspired by this motto, the documentary accompanies the American composer Alvin Lucier (1931 - 2021) on concert travels to The Hague (Netherlands) and Zug (Switzerland). Lucier explains and comments on his œuvre – from his early live electronics performances (MUSIC FOR SOLO PERFORMER,1965 and BIRD AND PERSON DYNING, 1975) up to the premiere of his ensemble piece PANORAMA 2 in 2011. One of Lucier’s key works, I AM SITTING IN A ROOM (1969), is introduced as a central structuring device in the film. At home in Middletown, Connecticut, Lucier offers rare insights into the beginnings of his pioneering works, his time as a member of the Sonic Arts Union, his relations with John Cage and David Tudor, as well as his teaching practice at Wesleyan University."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Despite the inherent talent of Alvin Lucier, the performance in No Ideas But in Things - the composer Alvin Lucier feels somewhat constrained by a narrative framework that doesn't fully exploit their range. There are flashes of brilliance, but the overall impact is muted.

The direction by Viola Rusche is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 96 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is No Ideas But in Things - the composer Alvin Lucier truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Documentary, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, No Ideas But in Things - the composer Alvin Lucier explores the dichotomy of truth and perception. The 2012 audience is increasingly sophisticated, and Viola Rusche respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, No Ideas But in Things - the composer Alvin Lucier is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Alvin Lucier or the critical acclaim surrounding its release, No Ideas But in Things - the composer Alvin Lucier is a film that demands to be seen on the largest screen possible.

Official movieMx Verdict: INTERESTING - VIEW WITH CAUTION

⏳ Time Investment

96MIN

At approximately 1.6 hours, the film requires a standard time commitment.

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