Is Nothing But Lies Worth Watching? Honest Movie Review & Audience Verdict (1920)
George Cross, a junior partner in the advertising agency of Nigh and Cross, goes to his office one evening to get a plate for a newspaper and surprises Allan Nigh, his partner's son, who has been distributing a leaflet exposing the lies of the advertising firm. Rosie, a member of the "Truth Society" to which Allan belongs, is hiding in the next room. George sends Allan to the newspaper office and then discovers Rosie. Shortly thereafter, Nigh and his daughter Ann, who is also Allan's sweetheart, arrive and George lies his way out of a compromising situation. Soon after, a detective arrives to investigate a front-page exposé on the circulars that Allan has written. When the advertisers realize that the exposé is actually the best campaign ever conceived, the supposed detective offers Allan a tremendous salary to write ads for him, Rosie reveals herself as a reporter from the Journal and Allan and Ann reconcile.
✨ The Quick Verdict
If you are a fan of cinema, then Nothing But Lies offers a standard experience that justifies its existence in the 1920 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
Nothing But Lies, a standout production of 1920, meticulously weaves its narrative threads through the Modern Cinema landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into George Cross, a junior partner in the advertising agency of Nigh and Cross, goes to his office one evening to get a plate for a newspaper and surprises Allan Nigh, his partner's son, who has been distributing a leaflet exposing the lies of the advertising firm. As the story unfolds, we are introduced to a world where the traditional boundaries of Modern Cinema are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "George Cross, a junior partner in the advertising agency of Nigh and Cross, goes to his office one evening to get a plate for a newspaper and surprises Allan Nigh, his partner's son, who has been distributing a leaflet exposing the lies of the advertising firm. Rosie, a member of the "Truth Society" to which Allan belongs, is hiding in the next room. George sends Allan to the newspaper office and then discovers Rosie. Shortly thereafter, Nigh and his daughter Ann, who is also Allan's sweetheart, arrive and George lies his way out of a compromising situation. Soon after, a detective arrives to investigate a front-page exposé on the circulars that Allan has written. When the advertisers realize that the exposé is actually the best campaign ever conceived, the supposed detective offers Allan a tremendous salary to write ads for him, Rosie reveals herself as a reporter from the Journal and Allan and Ann reconcile."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Despite the inherent talent of Taylor Holmes, the performance in Nothing But Lies feels somewhat constrained by a narrative framework that doesn't fully exploit their range. There are flashes of brilliance, but the overall impact is muted.
The direction by Lawrence C. Windom is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 60 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Nothing But Lies truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Modern Cinema, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Nothing But Lies explores the dichotomy of truth and perception. The 1920 audience is increasingly sophisticated, and Lawrence C. Windom respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Nothing But Lies is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Taylor Holmes or the critical acclaim surrounding its release, Nothing But Lies is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 1.0 hours, the film requires a standard time commitment.