Is Number One, Longing. Number Two, Regret Worth Watching? Honest Movie Review & Audience Verdict (2004)
When John Spears (Paul Conway) is arrested on suspicion of murdering his neighbour, detectives Kenosha (Jenny Agutter) and Frett (Jeremy Bulloch) are brought in to investigate the crime. As she spends time with the uncommunicative Spears, Kenosha becomes darkly fascinated by the suspect and soon realises there is much more to the case than meets the eye. Delving into his past, she discovers a man traumatised by a lost love and events so shocking that he can barely speak of them. When she is warned off by an American security firm, Spears retreats into his own world once more and appears to be a man on the edge of insanity.
β¨ The Quick Verdict
If you are a fan of Thriller cinema, then Number One, Longing. Number Two, Regret offers a fresh and engaging experience that justifies its existence in the 2004 landscape.
π₯ Target Audience
π Detailed Analysis
The Narrative Arc & Core Premise
Debuting in 2004, Number One, Longing. Number Two, Regret represents a sophisticated intersection of artistic ambition and genre-defining elements within the Thriller category. The primary thematic concern of the film is an investigation into When John Spears (Paul Conway) is arrested on suspicion of murdering his neighbour, detectives Kenosha (Jenny Agutter) and Frett (Jeremy Bulloch) are brought in to investigate the crime. As the story unfolds, we are introduced to a world where the traditional boundaries of Thriller are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "When John Spears (Paul Conway) is arrested on suspicion of murdering his neighbour, detectives Kenosha (Jenny Agutter) and Frett (Jeremy Bulloch) are brought in to investigate the crime. As she spends time with the uncommunicative Spears, Kenosha becomes darkly fascinated by the suspect and soon realises there is much more to the case than meets the eye. Delving into his past, she discovers a man traumatised by a lost love and events so shocking that he can barely speak of them. When she is warned off by an American security firm, Spears retreats into his own world once more and appears to be a man on the edge of insanity."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Audiences are treated to a masterclass in acting by Jenny Agutter, whose portrayal of the protagonist is imbued with a depth and vulnerability that is rare in contemporary Thriller. The chemistry with the supporting players is palpable, creating a gravity that pulls the viewer into the screen.
The direction by Neil Wassell is marked by a bold and uncompromising hand. Technically, the film is a tour de force. The cinematography makes exceptional use of light and shadow, creating a visual language that mirrors the character's internal journey. The soundscape is equally impressive, with a score that is both haunting and celebratory, perfectly aligned with the thematic progression of the plot. The pacing, over its 98 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Number One, Longing. Number Two, Regret truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Thriller, then this is a mandatory viewing experience, a film that will haunt your thoughts long after you leave the theater.
The film's ability to transcend its genre labels is why it has earned its 8/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Number One, Longing. Number Two, Regret explores the dichotomy of truth and perception. The 2004 audience is increasingly sophisticated, and Neil Wassell respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Number One, Longing. Number Two, Regret is a rare gem that rewards the audience's attention with a profound and lasting impact. Whether you are drawn to it by the star power of Jenny Agutter or the critical acclaim surrounding its release, Number One, Longing. Number Two, Regret is a film that demands to be seen on the largest screen possible.
β³ Time Investment
At approximately 1.6 hours, the film requires a standard time commitment.