Is Of All the Things Worth Watching? Honest Movie Review & Audience Verdict (2012)

The Narrative Arc & Core Premise

Of All the Things, a standout production of 2012, meticulously weaves its narrative threads through the Romance, Comedy landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into Muhlach plays the role of Umboy, a notary public attorney who earns a living by notarizing important documents and other papers, while Velasquez on the other hand plays the role of Berns, a professional documents fixer. As the story unfolds, we are introduced to a world where the traditional boundaries of Romance, Comedy are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Muhlach plays the role of Umboy, a notary public attorney who earns a living by notarizing important documents and other papers, while Velasquez on the other hand plays the role of Berns, a professional documents fixer. Every time Berns needs the help of a notary public, she goes to Umboy to "legalized" everything. This "legalization" process of documents was somehow Umboy does not agree with Berns. Their different ideology and principles in life have created a cat-and-dog fight situation between the two. But what's supposed to be a misunderstanding between the two of them will likely to create a blossoming relationship. Bound with their principles in life, how do you think the two will end up together — to the dark side where both of them will be living a dishonest life where they fix documents illegally or to the light side where everything else is in correct and honest manner?"

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Despite the inherent talent of Aga Muhlach, the performance in Of All the Things feels somewhat constrained by a narrative framework that doesn't fully exploit their range. There are flashes of brilliance, but the overall impact is muted.

The direction by Joyce E. Bernal is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 105 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is Of All the Things truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Romance, Comedy, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, Of All the Things explores the dichotomy of truth and perception. The 2012 audience is increasingly sophisticated, and Joyce E. Bernal respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, Of All the Things is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Aga Muhlach or the critical acclaim surrounding its release, Of All the Things is a film that demands to be seen on the largest screen possible.