Is On s'est tous défilé Worth Watching? Honest Movie Review & Audience Verdict (1988)
A rare short done in much of the same vein of “Puissance de la Parole”, where there is no shortage of cross-dissolve and rapid montage effects. Here, the sources are between fashion clips, street footage, and a number of paintings, to which Godard narrates the implications of what is being seen.
✨ The Quick Verdict
If you are a fan of cinema, then On s'est tous défilé offers a standard experience that justifies its existence in the 1988 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
On s'est tous défilé, a standout production of 1988, meticulously weaves its narrative threads through the Modern Cinema landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into A rare short done in much of the same vein of “Puissance de la Parole”, where there is no shortage of cross-dissolve and rapid montage effects. As the story unfolds, we are introduced to a world where the traditional boundaries of Modern Cinema are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "A rare short done in much of the same vein of “Puissance de la Parole”, where there is no shortage of cross-dissolve and rapid montage effects. Here, the sources are between fashion clips, street footage, and a number of paintings, to which Godard narrates the implications of what is being seen."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. In On s'est tous défilé, we see Marithé Girbaud utilizing their established screen presence to carry the story forward. It is a solid, workmanlike performance that serves the director's vision without overshadowing the larger narrative goals.
The direction by Jean-Luc Godard is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 13 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is On s'est tous défilé truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Modern Cinema, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 5.9/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, On s'est tous défilé explores the dichotomy of truth and perception. The 1988 audience is increasingly sophisticated, and Jean-Luc Godard respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, On s'est tous défilé serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Marithé Girbaud or the critical acclaim surrounding its release, On s'est tous défilé is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 0.2 hours, the film requires a standard time commitment.