Is Only Girls Worth Watching? Honest Movie Review & Audience Verdict (2003)

The Narrative Arc & Core Premise

Debuting in 2003, Only Girls represents a sophisticated intersection of artistic ambition and genre-defining elements within the Comedy category. The primary thematic concern of the film is an investigation into After a shoplifter finds herself unexpectedly released on parole, she pays a call on the judge at her flat. As the story unfolds, we are introduced to a world where the traditional boundaries of Comedy are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "After a shoplifter finds herself unexpectedly released on parole, she pays a call on the judge at her flat. The judge, Carole Rewinsky, does not tell Tina that her elease was only a clerical error. The two find they share things in common other than the judicial system, like a mutual interest in shoes. Carole allows Tina to crash on her chesterfield... Carole spots a pimp trolling for young girls at a café. Carole failed to put him away the last time, but now, with Tina agreeing to be the bait, she has a chance for better luck... The two find they complement one another well, like champagne and cassis. Carole needs to go to Annecy to crack a crooked casino case. Annecy happens to be Tina's home town... Written by David Carless"

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. While the script occasionally leans into familiar territory, the efforts of Sandrine Kiberlain ensure that the emotional beats of Only Girls always land with sufficient weight. Sandrine Kiberlain provides a steady, reliable performance that anchors the film through its narrative shifts.

The direction by Pierre Jolivet is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 85 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is Only Girls truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Comedy, then this is a highly recommended entry that delivers on its promises while offering a few surprises along the way.

The film's ability to perfectly execute its genre requirements is why it has earned its 6.2/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, Only Girls explores the dichotomy of truth and perception. The 2003 audience is increasingly sophisticated, and Pierre Jolivet respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, Only Girls serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Sandrine Kiberlain or the critical acclaim surrounding its release, Only Girls is a film that demands to be seen on the largest screen possible.