RATING★ TBA
WORTH IT? NO
Overlord: Bloodline of Brutality IV backdrop
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Expert Review & Ratings

See our full critical analysis and audience score for Overlord: Bloodline of Brutality IV.

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WORTH WATCHING: MIXED
Editorial Verified

Is Overlord: Bloodline of Brutality IV Worth Watching? Honest Movie Review & Audience Verdict (2017)

In order to fulfill the fate and great cause of placing his sworn brother, Kiyoharu Washio (Kazuyoshi Ozawa), who had been buried in the darkness until now, as the 12th generation leader of the Naito Shinjuku family, Yuki Kanemaru (Masaya Kato) covered the office with flames and ultimately met his end in self-immolation. Just as he passes away, former 12th generation underling, Hideyoshi Ogami (Norimasa Fujie), is released after serving a long prison sentence. This leads the Naito Shinjuku family into a three-way struggle: Toki Reiji (Yoshiyuki Yamaguchi) and his faction who support Taiga Washio (Haruto Ochiai) as the 13th generation, the faction led by Akira Shiba (Kunihiko Ida) who seeks to put Seiharu in power and rewrite history, and Ogami’s faction. Finally, the president of the Osaka Namba-kai, Masami Yukimura (Takashi Ukaji), reveals himself, and the story is about to connect to a new bloodline!

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✨ The Quick Verdict

SKIP IT

If you are a fan of Crime, Action, Adventure cinema, then Overlord: Bloodline of Brutality IV offers a standard experience that justifies its existence in the 2017 landscape.

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👥 Target Audience

Fans of Crime films
Fans of Action films
Fans of Adventure films
casual viewers seeking light entertainment

📔 Detailed Analysis

The Narrative Arc & Core Premise

Overlord: Bloodline of Brutality IV, a standout production of 2017, meticulously weaves its narrative threads through the Crime, Action, Adventure landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into In order to fulfill the fate and great cause of placing his sworn brother, Kiyoharu Washio (Kazuyoshi Ozawa), who had been buried in the darkness until now, as the 12th generation leader of the Naito Shinjuku family, Yuki Kanemaru (Masaya Kato) covered the office with flames and ultimately met his end in self-immolation. As the story unfolds, we are introduced to a world where the traditional boundaries of Crime, Action, Adventure are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "In order to fulfill the fate and great cause of placing his sworn brother, Kiyoharu Washio (Kazuyoshi Ozawa), who had been buried in the darkness until now, as the 12th generation leader of the Naito Shinjuku family, Yuki Kanemaru (Masaya Kato) covered the office with flames and ultimately met his end in self-immolation. Just as he passes away, former 12th generation underling, Hideyoshi Ogami (Norimasa Fujie), is released after serving a long prison sentence. This leads the Naito Shinjuku family into a three-way struggle: Toki Reiji (Yoshiyuki Yamaguchi) and his faction who support Taiga Washio (Haruto Ochiai) as the 13th generation, the faction led by Akira Shiba (Kunihiko Ida) who seeks to put Seiharu in power and rewrite history, and Ogami’s faction. Finally, the president of the Osaka Namba-kai, Masami Yukimura (Takashi Ukaji), reveals himself, and the story is about to connect to a new bloodline!"

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The presence of Yoshiyuki Yamaguchi provides a necessary level of professionalism to the production, even when the underlying script struggles to maintain a consistent tone. It is a testament to their skill that they remain the most engaging element of the film.

The direction by Kazuyoshi Ozawa is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 71 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is Overlord: Bloodline of Brutality IV truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Crime, Action, Adventure, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, Overlord: Bloodline of Brutality IV explores the dichotomy of strength and vulnerability. The 2017 audience is increasingly sophisticated, and Kazuyoshi Ozawa respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, Overlord: Bloodline of Brutality IV is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Yoshiyuki Yamaguchi or the critical acclaim surrounding its release, Overlord: Bloodline of Brutality IV is a film that demands to be seen on the largest screen possible.

Official movieMx Verdict: INTERESTING - VIEW WITH CAUTION

⏳ Time Investment

71MIN

At approximately 1.2 hours, the film requires a standard time commitment.

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