
Is Petting monster: Kairaku kui makuri Worth Watching? Honest Movie Review & Audience Verdict (2021)
Marika, a housewife, is presented with a creature called "Bero" that looks like a sea squirt from her husband Hiroki, who has decided to leave his family behind in Oman in the Middle East . Her husband tells her to pet "Bello" instead of him . When I start working alone, my sister Yuika visits my house with her boyfriend. My sister, whom I met for the first time in five years, quit the pachinko parlor with him and consulted with her brother-in-law, Yuki. He came to be troublesome for a while. Marika, who doesn't listen to her story, gives a dubious expression, but she eats the meal deliciously and allows the slapstick but friendly two to spend only one night. In the middle of the night, she receives an international call from her husband. When she asks why she didn't talk to him about Yuika, Yuki says, "You must be an only child."
✨ The Quick Verdict
If you are a fan of Drama cinema, then Petting monster: Kairaku kui makuri offers a standard experience that justifies its existence in the 2021 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
Petting monster: Kairaku kui makuri, a standout production of 2021, meticulously weaves its narrative threads through the Drama landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into Marika, a housewife, is presented with a creature called "Bero" that looks like a sea squirt from her husband Hiroki, who has decided to leave his family behind in Oman in the Middle East . As the story unfolds, we are introduced to a world where the traditional boundaries of Drama are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Marika, a housewife, is presented with a creature called "Bero" that looks like a sea squirt from her husband Hiroki, who has decided to leave his family behind in Oman in the Middle East . Her husband tells her to pet "Bello" instead of him . When I start working alone, my sister Yuika visits my house with her boyfriend. My sister, whom I met for the first time in five years, quit the pachinko parlor with him and consulted with her brother-in-law, Yuki. He came to be troublesome for a while. Marika, who doesn't listen to her story, gives a dubious expression, but she eats the meal deliciously and allows the slapstick but friendly two to spend only one night. In the middle of the night, she receives an international call from her husband. When she asks why she didn't talk to him about Yuika, Yuki says, "You must be an only child.""
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Despite the inherent talent of Ayumi Kimito, the performance in Petting monster: Kairaku kui makuri feels somewhat constrained by a narrative framework that doesn't fully exploit their range. There are flashes of brilliance, but the overall impact is muted.
The direction by Daisuke Yamanouchi is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 79 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Petting monster: Kairaku kui makuri truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Drama, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Petting monster: Kairaku kui makuri explores the dichotomy of truth and perception. The 2021 audience is increasingly sophisticated, and Daisuke Yamanouchi respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Petting monster: Kairaku kui makuri is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Ayumi Kimito or the critical acclaim surrounding its release, Petting monster: Kairaku kui makuri is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 1.3 hours, the film requires a standard time commitment.