RATING★ 6.9
WORTH IT? MAYBE
Phil Collins: Going Back - Live at the Roseland Ballroom, NYC backdrop
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Expert Review & Ratings

See our full critical analysis and audience score for Phil Collins: Going Back - Live at the Roseland Ballroom, NYC.

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★ WORTH WATCHING: MIXED
Editorial Verified

Is Phil Collins: Going Back - Live at the Roseland Ballroom, NYC Worth Watching? Honest Movie Review & Audience Verdict (2010)

This concert Blu-ray sees Phil Collins take his superb new album Going Back into the live arena. Filmed in June of this year in the intimate surroundings of New York s famous Roseland Ballroom, this is a real chance to get up close and personal as Phil Collins faithfully recreates the soul and Motown classics that he loved as a teenager. His band includes three of Motown s original backing band The Funk Brothers: Bob Babbitt on bass and guitarists Eddie Willis and Ray Monette, as well as two stalwarts of Genesis live shows: Chester Thompson on drums and Darryl Stuermer on guitars. Phil Collins performs a number of Motown covers during the course of this high-energy show performed at the Roseland Ballroom in New York City. The setlist of over a dozen tunes includes "Ain't Too Proud to Beg," "Papa Was a Rollin' Stone,"and "Going to a Go-Go."

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✹ The Quick Verdict

ONE-TIME WATCH

If you are a fan of Music cinema, then Phil Collins: Going Back - Live at the Roseland Ballroom, NYC offers a standard experience that justifies its existence in the 2010 landscape.

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đŸ‘„ Target Audience

✓ Fans of Music films

📔 Detailed Analysis

The Narrative Arc & Core Premise

Phil Collins: Going Back - Live at the Roseland Ballroom, NYC, a standout production of 2010, meticulously weaves its narrative threads through the Music landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into This concert Blu-ray sees Phil Collins take his superb new album Going Back into the live arena. As the story unfolds, we are introduced to a world where the traditional boundaries of Music are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "This concert Blu-ray sees Phil Collins take his superb new album Going Back into the live arena. Filmed in June of this year in the intimate surroundings of New York s famous Roseland Ballroom, this is a real chance to get up close and personal as Phil Collins faithfully recreates the soul and Motown classics that he loved as a teenager. His band includes three of Motown s original backing band The Funk Brothers: Bob Babbitt on bass and guitarists Eddie Willis and Ray Monette, as well as two stalwarts of Genesis live shows: Chester Thompson on drums and Darryl Stuermer on guitars. Phil Collins performs a number of Motown covers during the course of this high-energy show performed at the Roseland Ballroom in New York City. The setlist of over a dozen tunes includes "Ain't Too Proud to Beg," "Papa Was a Rollin' Stone,"and "Going to a Go-Go.""

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. While the script occasionally leans into familiar territory, the efforts of Phil Collins ensure that the emotional beats of Phil Collins: Going Back - Live at the Roseland Ballroom, NYC always land with sufficient weight. Phil Collins provides a steady, reliable performance that anchors the film through its narrative shifts.

The direction by Joe Thomas is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 98 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is Phil Collins: Going Back - Live at the Roseland Ballroom, NYC truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Music, then this is a highly recommended entry that delivers on its promises while offering a few surprises along the way.

The film's ability to perfectly execute its genre requirements is why it has earned its 6.9/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, Phil Collins: Going Back - Live at the Roseland Ballroom, NYC explores the dichotomy of truth and perception. The 2010 audience is increasingly sophisticated, and Joe Thomas respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, Phil Collins: Going Back - Live at the Roseland Ballroom, NYC serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Phil Collins or the critical acclaim surrounding its release, Phil Collins: Going Back - Live at the Roseland Ballroom, NYC is a film that demands to be seen on the largest screen possible.

Official movieMx Verdict: RECOMMENDED - QUALITY CINEMA

⏳ Time Investment

98MIN

At approximately 1.6 hours, the film requires a standard time commitment.

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