
Is Philip Glass: Satyagraha Worth Watching? Honest Movie Review & Audience Verdict (2011)
Following the success of his first foray into opera, Einstein on the Beach, revolutionary American composer and musician Philip Glass soon turned to another great figure of the 20th century for inspiration. Set to lines from the Hindu Bhagavad Gita, Satyagraha depicts scenes from the life of Gandhi as he developed his philosophy of non-violent resistance in South Africa between 1896 and 1913. The opera became the second installment of Glass’s Portrait Trilogy, focused on innovators from across history. Satyagraha arrived at the Met during the 2007–08 season, when director Phelim McDermott made his debut with a production that employed everyday materials like newspaper and corrugated tin to create towering puppets and striking tableaus. In 2011, his staging returned, this time recorded live in HD. In this performance, tenor Richard Croft gives a moving performance as Gandhi, leading a remarkable ensemble cast conducted by Dante Anzolini.
✨ The Quick Verdict
If you are a fan of Music cinema, then Philip Glass: Satyagraha offers a fresh and engaging experience that justifies its existence in the 2011 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
In the evolving tapestry of Music cinema, the 2011 release of Philip Glass: Satyagraha stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into Following the success of his first foray into opera, Einstein on the Beach, revolutionary American composer and musician Philip Glass soon turned to another great figure of the 20th century for inspiration. As the story unfolds, we are introduced to a world where the traditional boundaries of Music are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Following the success of his first foray into opera, Einstein on the Beach, revolutionary American composer and musician Philip Glass soon turned to another great figure of the 20th century for inspiration. Set to lines from the Hindu Bhagavad Gita, Satyagraha depicts scenes from the life of Gandhi as he developed his philosophy of non-violent resistance in South Africa between 1896 and 1913. The opera became the second installment of Glass’s Portrait Trilogy, focused on innovators from across history. Satyagraha arrived at the Met during the 2007–08 season, when director Phelim McDermott made his debut with a production that employed everyday materials like newspaper and corrugated tin to create towering puppets and striking tableaus. In 2011, his staging returned, this time recorded live in HD. In this performance, tenor Richard Croft gives a moving performance as Gandhi, leading a remarkable ensemble cast conducted by Dante Anzolini."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The performance by Richard Croft is nothing short of transformative, providing an emotional anchor that tethers the film's more abstract concepts to a relatable human experience. Richard Croft captures the nuance of the script with a performance that will likely define their career for years to come.
The direction by Phelim McDermott is marked by a bold and uncompromising hand. Technically, the film is a tour de force. The cinematography makes exceptional use of light and shadow, creating a visual language that mirrors the character's internal journey. The soundscape is equally impressive, with a score that is both haunting and celebratory, perfectly aligned with the thematic progression of the plot. The pacing, over its 184 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Philip Glass: Satyagraha truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Music, then this is a mandatory viewing experience, a film that will haunt your thoughts long after you leave the theater.
The film's ability to transcend its genre labels is why it has earned its 8.5/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Philip Glass: Satyagraha explores the dichotomy of truth and perception. The 2011 audience is increasingly sophisticated, and Phelim McDermott respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Philip Glass: Satyagraha is a rare gem that rewards the audience's attention with a profound and lasting impact. Whether you are drawn to it by the star power of Richard Croft or the critical acclaim surrounding its release, Philip Glass: Satyagraha is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 3.1 hours, the film requires a significant time commitment.