Profit & Loss Analysis

Is Playing God Worth Watching? Honest Movie Review & Audience Verdict (2020)
The 78-year-old former architect Richard Gärtner (Matthias Habich) wants to put an end to his life. However, this should not be done abroad, but quite legally with the help of his ...
✨ The Quick Verdict
If you are a fan of Drama cinema, then Playing God offers a fresh and engaging experience that justifies its existence in the 2020 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
Playing God, a standout production of 2020, meticulously weaves its narrative threads through the Drama landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into The 78-year-old former architect Richard Gärtner (Matthias Habich) wants to put an end to his life. As the story unfolds, we are introduced to a world where the traditional boundaries of Drama are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "The 78-year-old former architect Richard Gärtner (Matthias Habich) wants to put an end to his life. However, this should not be done abroad, but quite legally with the help of his family doctor. For Dr. Brandt (Anna Maria Mühe), out of personal conviction, it is out of the question to get her elderly but healthy patient a fatal preparation."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Anchoring the narrative with a presence that is both commanding and subtle, Barbara Auer delivers a turn that is both technically flawless and emotionally resonant. This is Drama acting at its most potent.
The direction by Lars Kraume is marked by a bold and uncompromising hand. Technically, the film is a tour de force. The cinematography makes exceptional use of light and shadow, creating a visual language that mirrors the character's internal journey. The soundscape is equally impressive, with a score that is both haunting and celebratory, perfectly aligned with the thematic progression of the plot. The pacing, over its 92 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Playing God truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Drama, then this is a mandatory viewing experience—a film that will haunt your thoughts long after you leave the theater.
The film's ability to transcend its genre labels is why it has earned its 8.3/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Playing God explores the dichotomy of truth and perception. The 2020 audience is increasingly sophisticated, and Lars Kraume respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Playing God is a rare gem that rewards the audience's attention with a profound and lasting impact. Whether you are drawn to it by the star power of Barbara Auer or the critical acclaim surrounding its release, Playing God is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 1.5 hours, the film requires a standard time commitment.