Is Possessed Worth Watching? Honest Movie Review & Audience Verdict (1997)

The Narrative Arc & Core Premise

Possessed, a standout production of 1997, meticulously weaves its narrative threads through the Drama landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into Once, in search of creative freedom, jazz musician Yitzhak Gutman went to Germany, where he became a famous impresario. As the story unfolds, we are introduced to a world where the traditional boundaries of Drama are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Once, in search of creative freedom, jazz musician Yitzhak Gutman went to Germany, where he became a famous impresario. When changes took place in the USSR, the hero decided to help talented musicians-losers who remained in Russia. Returning to his homeland, Yitzhak found composer Amir Dzhunusov performing his jazz improvisations for the flute on the roofs of houses. Together with his Russian friends, the hero, in the interests of advertising, starts a risky game, which leads to a tragic development of events. In the role of Amir Dzhunusov is a professional trumpeter, composer, jazz musician Andrey Solovyov."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The presence of Inara Slucka provides a necessary level of professionalism to the production, even when the underlying script struggles to maintain a consistent tone. It is a testament to their skill that they remain the most engaging element of the film.

The direction by Vladimir Sukhorebry is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 105 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is Possessed truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Drama, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 2/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, Possessed explores the dichotomy of truth and perception. The 1997 audience is increasingly sophisticated, and Vladimir Sukhorebry respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, Possessed is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Inara Slucka or the critical acclaim surrounding its release, Possessed is a film that demands to be seen on the largest screen possible.