Is První a poslední Worth Watching? Honest Movie Review & Audience Verdict (1959)
The film responds to the housing shortage that young couples in particular have had to deal with. This problem is also addressed by the couple Slávka and Olda. The girl gets a sublet on Hradčanské náměstí, in the large flat of the widowed pensioner Benda. Benda lived almost his whole life there, and is bound to the apartment by a thousand memories and feelings. The strange and sickly old man has to overcome his crankiness and distrust of people before he fully accepts his lodger and her husband "as his own"...
✨ The Quick Verdict
If you are a fan of Drama cinema, then První a poslední offers a standard experience that justifies its existence in the 1959 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
In the evolving tapestry of Drama cinema, the 1959 release of První a poslední stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into The film responds to the housing shortage that young couples in particular have had to deal with. As the story unfolds, we are introduced to a world where the traditional boundaries of Drama are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "The film responds to the housing shortage that young couples in particular have had to deal with. This problem is also addressed by the couple Slávka and Olda. The girl gets a sublet on Hradčanské náměstí, in the large flat of the widowed pensioner Benda. Benda lived almost his whole life there, and is bound to the apartment by a thousand memories and feelings. The strange and sickly old man has to overcome his crankiness and distrust of people before he fully accepts his lodger and her husband "as his own"..."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Despite the inherent talent of Zdeněk Štěpánek, the performance in První a poslední feels somewhat constrained by a narrative framework that doesn't fully exploit their range. There are flashes of brilliance, but the overall impact is muted.
The direction by Vladimír Čech is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its N/A minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is První a poslední truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Drama, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, První a poslední explores the dichotomy of truth and perception. The 1959 audience is increasingly sophisticated, and Vladimír Čech respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, První a poslední is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Zdeněk Štěpánek or the critical acclaim surrounding its release, První a poslední is a film that demands to be seen on the largest screen possible.