
Is Quite Ordinary Worth Watching? Honest Movie Review & Audience Verdict (2012)
Tamotsu Nirasaki is a gay high-school teacher who can't get laid.One day, he finds out one of his pupils, Yu Shiotsu, is also gay. "Can I finally become happy?" Nirasaki asks himself, but it turns out Shiotsu is in love with the top student of the class. As Nirasaki gets depressed that he doesn't have a chance from the start, he makes Shiotsu confess his love to the other student, and tries to take advantage of his failure.
โจ The Quick Verdict
If you are a fan of Comedy cinema, then Quite Ordinary offers a standard experience that justifies its existence in the 2012 landscape.
๐ฅ Target Audience
๐ Detailed Analysis
The Narrative Arc & Core Premise
In the evolving tapestry of Comedy cinema, the 2012 release of Quite Ordinary stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into Tamotsu Nirasaki is a gay high-school teacher who can't get laid. As the story unfolds, we are introduced to a world where the traditional boundaries of Comedy are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Tamotsu Nirasaki is a gay high-school teacher who can't get laid.One day, he finds out one of his pupils, Yu Shiotsu, is also gay. "Can I finally become happy?" Nirasaki asks himself, but it turns out Shiotsu is in love with the top student of the class. As Nirasaki gets depressed that he doesn't have a chance from the start, he makes Shiotsu confess his love to the other student, and tries to take advantage of his failure."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Despite the inherent talent of Yasushi Yasuda, the performance in Quite Ordinary feels somewhat constrained by a narrative framework that doesn't fully exploit their range. There are flashes of brilliance, but the overall impact is muted.
The direction by Masaki Takahashi is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 16 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Quite Ordinary truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Comedy, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 3.4/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Quite Ordinary explores the dichotomy of truth and perception. The 2012 audience is increasingly sophisticated, and Masaki Takahashi respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Quite Ordinary is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Yasushi Yasuda or the critical acclaim surrounding its release, Quite Ordinary is a film that demands to be seen on the largest screen possible.
โณ Time Investment
At approximately 0.3 hours, the film requires a standard time commitment.