
Is Rashid Worth Watching? Honest Movie Review & Audience Verdict (1972)
Rashid and his accomplice steal the jewelry of a paralyzed woman, who is killed during the incident. Rashid hides the jewelry in an abandoned mine and takes refuge in a cabin in the forest, where two fugitives—Hamed and Nazi—are living. Someone informs the fugitives that the police are searching for the jewel thief. Hamed becomes suspicious of Rashid and suggests they split the stolen jewelry and escape together...
✨ The Quick Verdict
If you are a fan of Crime cinema, then Rashid offers a standard experience that justifies its existence in the 1972 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
Debuting in 1972, Rashid represents a sophisticated intersection of artistic ambition and genre-defining elements within the Crime category. The primary thematic concern of the film is an investigation into Rashid and his accomplice steal the jewelry of a paralyzed woman, who is killed during the incident. As the story unfolds, we are introduced to a world where the traditional boundaries of Crime are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Rashid and his accomplice steal the jewelry of a paralyzed woman, who is killed during the incident. Rashid hides the jewelry in an abandoned mine and takes refuge in a cabin in the forest, where two fugitives—Hamed and Nazi—are living. Someone informs the fugitives that the police are searching for the jewel thief. Hamed becomes suspicious of Rashid and suggests they split the stolen jewelry and escape together..."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Despite the inherent talent of Behrouz Vossoughi, the performance in Rashid feels somewhat constrained by a narrative framework that doesn't fully exploit their range. There are flashes of brilliance, but the overall impact is muted.
The direction by Parviz Noori is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 97 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Rashid truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Crime, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 1/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Rashid explores the dichotomy of truth and perception. The 1972 audience is increasingly sophisticated, and Parviz Noori respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Rashid is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Behrouz Vossoughi or the critical acclaim surrounding its release, Rashid is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 1.6 hours, the film requires a standard time commitment.