Profit & Loss Analysis

Is Running After Worth Watching? Honest Movie Review & Audience Verdict (2018)
Paulo Ventania is a black Brazilian man, always doing his best to bring some happiness in his life, and by happiness he means money. When he's at a dead end, he discovers the oppor...
✨ The Quick Verdict
If you are a fan of Comedy cinema, then Running After offers a standard experience that justifies its existence in the 2018 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
In the evolving tapestry of Comedy cinema, the 2018 release of Running After stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into Paulo Ventania is a black Brazilian man, always doing his best to bring some happiness in his life, and by happiness he means money. As the story unfolds, we are introduced to a world where the traditional boundaries of Comedy are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Paulo Ventania is a black Brazilian man, always doing his best to bring some happiness in his life, and by happiness he means money. When he's at a dead end, he discovers the opportunity to become a football manager by leading some boy from the neighborhood to becoming the new Neymar of international soccer. Going through the suburbs of Rio, he finds Glanderson, a young boy with an enormous talent for soccer despite missing two toes. With good humor, high hopes, and a lot of mistakes, the quixotic duo tries their best to make their dream come true."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The ensemble, led by Aílton Graça, delivers a professional and engaging performance that satisfies the requirements of the Comedy genre. While it may not reinvent the wheel, the commitment to the material is evident in every frame.
The direction by Jeferson De is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 90 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Running After truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Comedy, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 5/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Running After explores the dichotomy of truth and perception. The 2018 audience is increasingly sophisticated, and Jeferson De respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Running After is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Aílton Graça or the critical acclaim surrounding its release, Running After is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 1.5 hours, the film requires a standard time commitment.