RATING★ TBA
WORTH IT? NO
Saint-Saëns: Samson et Dalila backdrop
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Expert Review & Ratings

See our full critical analysis and audience score for Saint-Saëns: Samson et Dalila.

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WORTH WATCHING: MIXED
Editorial Verified

Is Saint-Saëns: Samson et Dalila Worth Watching? Honest Movie Review & Audience Verdict (2016)

The opera is based on the Biblical tale of Samson and Delilah found in Chapter 16 of the Book of Judges in the Old Testament. It is the only opera by Saint-Saëns that is regularly performed. The second act love scene in Delilah's tent is one of the set pieces that define French opera. Two of Delilah's arias are particularly well known: "Printemps qui commence" and "Mon cœur s'ouvre à ta voix", the latter of which is one of the most popular recital pieces in the mezzo-soprano/contralto repertoire. Staged by greek director Yannis Kokkos and conducted by Valery Gergiev on May 25th, 2016 at the Mariinsky Theatre.

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✨ The Quick Verdict

SKIP IT

If you are a fan of Music cinema, then Saint-Saëns: Samson et Dalila offers a standard experience that justifies its existence in the 2016 landscape.

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👥 Target Audience

Fans of Music films
casual viewers seeking light entertainment

📔 Detailed Analysis

The Narrative Arc & Core Premise

In the evolving tapestry of Music cinema, the 2016 release of Saint-Saëns: Samson et Dalila stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into The opera is based on the Biblical tale of Samson and Delilah found in Chapter 16 of the Book of Judges in the Old Testament. As the story unfolds, we are introduced to a world where the traditional boundaries of Music are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "The opera is based on the Biblical tale of Samson and Delilah found in Chapter 16 of the Book of Judges in the Old Testament. It is the only opera by Saint-Saëns that is regularly performed. The second act love scene in Delilah's tent is one of the set pieces that define French opera. Two of Delilah's arias are particularly well known: "Printemps qui commence" and "Mon cœur s'ouvre à ta voix", the latter of which is one of the most popular recital pieces in the mezzo-soprano/contralto repertoire. Staged by greek director Yannis Kokkos and conducted by Valery Gergiev on May 25th, 2016 at the Mariinsky Theatre."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The presence of Ekaterina Semenchuk provides a necessary level of professionalism to the production, even when the underlying script struggles to maintain a consistent tone. It is a testament to their skill that they remain the most engaging element of the film.

The direction by Louise Narboni is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 132 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is Saint-Saëns: Samson et Dalila truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Music, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, Saint-Saëns: Samson et Dalila explores the dichotomy of truth and perception. The 2016 audience is increasingly sophisticated, and Louise Narboni respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, Saint-Saëns: Samson et Dalila is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Ekaterina Semenchuk or the critical acclaim surrounding its release, Saint-Saëns: Samson et Dalila is a film that demands to be seen on the largest screen possible.

Official movieMx Verdict: INTERESTING - VIEW WITH CAUTION

⏳ Time Investment

132MIN

At approximately 2.2 hours, the film requires a standard time commitment.

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