Is Sartre by Himself Worth Watching? Honest Movie Review & Audience Verdict (1976)
Michel Contat is Emeritus Director of Research at the CNRS, ITEM/CNRS/ENS and a specialist of Jean-Paul Sartre whose novels and theater he has edited in the Pléiade edition and about whom he has written several books. With Alexander Astruc, he made the film Sartre par lui-même (1976) and, with Antoine Burnier, co-wrote the script of Claude Garretta’s TV film Sartre, L’Age des passions (2006). As a journalist, Contat contributed literary columns for Le Monde since 1978, and as an amateur musician, he was the jazz columnist for the magazine Télérama. His most recent books are Pour Sartre (2006) and André Gorz; vers la société libérée (2009).
✨ The Quick Verdict
If you are a fan of cinema, then Sartre by Himself offers a fresh and engaging experience that justifies its existence in the 1976 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
In the evolving tapestry of Modern Cinema cinema, the 1976 release of Sartre by Himself stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into Michel Contat is Emeritus Director of Research at the CNRS, ITEM/CNRS/ENS and a specialist of Jean-Paul Sartre whose novels and theater he has edited in the Pléiade edition and about whom he has written several books. As the story unfolds, we are introduced to a world where the traditional boundaries of Modern Cinema are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Michel Contat is Emeritus Director of Research at the CNRS, ITEM/CNRS/ENS and a specialist of Jean-Paul Sartre whose novels and theater he has edited in the Pléiade edition and about whom he has written several books. With Alexander Astruc, he made the film Sartre par lui-même (1976) and, with Antoine Burnier, co-wrote the script of Claude Garretta’s TV film Sartre, L’Age des passions (2006). As a journalist, Contat contributed literary columns for Le Monde since 1978, and as an amateur musician, he was the jazz columnist for the magazine Télérama. His most recent books are Pour Sartre (2006) and André Gorz; vers la société libérée (2009)."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The performance by Jean-Paul Sartre is nothing short of transformative, providing an emotional anchor that tethers the film's more abstract concepts to a relatable human experience. Jean-Paul Sartre captures the nuance of the script with a performance that will likely define their career for years to come.
The direction by Alexandre Astruc is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 191 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Sartre by Himself truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Modern Cinema, then this is a highly recommended entry that delivers on its promises while offering a few surprises along the way.
The film's ability to perfectly execute its genre requirements is why it has earned its 7/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Sartre by Himself explores the dichotomy of truth and perception. The 1976 audience is increasingly sophisticated, and Alexandre Astruc respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Sartre by Himself serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Jean-Paul Sartre or the critical acclaim surrounding its release, Sartre by Himself is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 3.2 hours, the film requires a significant time commitment.