Profit & Loss Analysis

Is Simon Magus Worth Watching? Honest Movie Review & Audience Verdict (1999)
Simon is an outcast from his Jewish community because he claims that the devil talks to him and he has the ability to put curses on crops. When Dovid asks the 'Squire' to sell him ...
✨ The Quick Verdict
If you are a fan of Mystery, Drama, Fantasy cinema, then Simon Magus offers a fresh and engaging experience that justifies its existence in the 1999 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
In the evolving tapestry of Mystery, Drama, Fantasy cinema, the 1999 release of Simon Magus stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into Simon is an outcast from his Jewish community because he claims that the devil talks to him and he has the ability to put curses on crops. As the story unfolds, we are introduced to a world where the traditional boundaries of Mystery, Drama, Fantasy are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Simon is an outcast from his Jewish community because he claims that the devil talks to him and he has the ability to put curses on crops. When Dovid asks the 'Squire' to sell him some land so he can build a railway station, a ruthless businessman from the neighbouring gentile community uses Simon to find out who wants to buy the land so he can 'persuade' him otherwise"
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Audiences are treated to a masterclass in acting by Noah Taylor, whose portrayal of the protagonist is imbued with a depth and vulnerability that is rare in contemporary Mystery. The chemistry with the supporting players is palpable, creating a gravity that pulls the viewer into the screen.
The direction by Ben Hopkins is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 101 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Simon Magus truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Mystery, Drama, Fantasy, then this is a highly recommended entry that delivers on its promises while offering a few surprises along the way.
The film's ability to transcend its genre labels is why it has earned its 7.3/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Simon Magus explores the dichotomy of truth and perception. The 1999 audience is increasingly sophisticated, and Ben Hopkins respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Simon Magus serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Noah Taylor or the critical acclaim surrounding its release, Simon Magus is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 1.7 hours, the film requires a standard time commitment.