Is Small Faces: All or Nothing 1965 -1968 Worth Watching? Honest Movie Review & Audience Verdict (2010)

The Narrative Arc & Core Premise

Debuting in 2010, Small Faces: All or Nothing 1965 -1968 represents a sophisticated intersection of artistic ambition and genre-defining elements within the Music, Documentary category. The primary thematic concern of the film is an investigation into Small Faces: All Or Nothing 1965-1968 features 27 complete performances filmed from 1965 to 1968 when the band was challenging the The Who, The Kinks, The Rolling Stones, and The Beatles for domination of the charts. As the story unfolds, we are introduced to a world where the traditional boundaries of Music, Documentary are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Small Faces: All Or Nothing 1965-1968 features 27 complete performances filmed from 1965 to 1968 when the band was challenging the The Who, The Kinks, The Rolling Stones, and The Beatles for domination of the charts. This documentary captures every aspect of their short but brilliant career including early Mod/R&B classics such as “What’cha Gonna Do About It”, “Sha La La La Lee” and “All Or Nothing”, timeless rockers like “Tin Soldier” and later psychedelic masterpieces including “Itchycoo Park”, and “Green Circles.” In between the performances, original members Ian McLagan, Kenny Jones, and Jimmy Winston talk about the songs and tell the band’s history in new interviews filmed exclusively for the documentary. Also interwoven into the story are archival interviews with Steve Marriott and Ronnie Lane."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Kenny Jones does an admirable job with the material provided, but one can't help but feel that a more daring directorial approach would have yielded a more impactful result. It is a competent but ultimately standard genre performance.

The direction by the visionary director is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 100 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is Small Faces: All or Nothing 1965 -1968 truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Music, Documentary, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, Small Faces: All or Nothing 1965 -1968 explores the dichotomy of truth and perception. The 2010 audience is increasingly sophisticated, and the visionary director respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, Small Faces: All or Nothing 1965 -1968 is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Kenny Jones or the critical acclaim surrounding its release, Small Faces: All or Nothing 1965 -1968 is a film that demands to be seen on the largest screen possible.