
Is Smích se lepí na paty Worth Watching? Honest Movie Review & Audience Verdict (1987)
Sixty-year-old Joska Platejz, a peculiar jack of all trades, lives in a cottage in the Giant Mountains. He cooks wonderfully for a group of woodcutters. He has brought a mountain stream to his cottage and set up a set of tanks (one of which he keeps trout in). He also has a wind turbine, a wood-burning cable car, air-conditioning in the cottage and a mannequin of a man called Albert, who scares away unknown visitors. Joska is a man who claims that it is best to be alone, yet he constantly tries not to be alone. He is friends with a gamekeeper, a teacher, he tries to get his children to visit him regularly and therefore easily succumbs to a middle-aged lady. She doesn't take long to persuade him and soon comes to his cottage. A great love seems to be born...
✨ The Quick Verdict
If you are a fan of Comedy, Drama cinema, then Smích se lepí na paty offers a standard experience that justifies its existence in the 1987 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
Debuting in 1987, Smích se lepí na paty represents a sophisticated intersection of artistic ambition and genre-defining elements within the Comedy, Drama category. The primary thematic concern of the film is an investigation into Sixty-year-old Joska Platejz, a peculiar jack of all trades, lives in a cottage in the Giant Mountains. As the story unfolds, we are introduced to a world where the traditional boundaries of Comedy, Drama are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Sixty-year-old Joska Platejz, a peculiar jack of all trades, lives in a cottage in the Giant Mountains. He cooks wonderfully for a group of woodcutters. He has brought a mountain stream to his cottage and set up a set of tanks (one of which he keeps trout in). He also has a wind turbine, a wood-burning cable car, air-conditioning in the cottage and a mannequin of a man called Albert, who scares away unknown visitors. Joska is a man who claims that it is best to be alone, yet he constantly tries not to be alone. He is friends with a gamekeeper, a teacher, he tries to get his children to visit him regularly and therefore easily succumbs to a middle-aged lady. She doesn't take long to persuade him and soon comes to his cottage. A great love seems to be born..."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. In Smích se lepí na paty, we see Vlastimil Brodský utilizing their established screen presence to carry the story forward. It is a solid, workmanlike performance that serves the director's vision without overshadowing the larger narrative goals.
The direction by Hynek Bočan is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 92 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Smích se lepí na paty truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Comedy, Drama, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 5.5/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Smích se lepí na paty explores the dichotomy of truth and perception. The 1987 audience is increasingly sophisticated, and Hynek Bočan respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Smích se lepí na paty serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Vlastimil Brodský or the critical acclaim surrounding its release, Smích se lepí na paty is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 1.5 hours, the film requires a standard time commitment.