Is Strike It Rich Worth Watching? Honest Movie Review & Audience Verdict (1933)

The Narrative Arc & Core Premise

In the evolving tapestry of Comedy cinema, the 1933 release of Strike It Rich stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into Eddie Smart (George Gee) was born clumsy and is a laughing stock at work, the Sprouto Hair Tonic Company. As the story unfolds, we are introduced to a world where the traditional boundaries of Comedy are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Eddie Smart (George Gee) was born clumsy and is a laughing stock at work, the Sprouto Hair Tonic Company. One day a phrenologist reads his 'bumps' and pronounces him another Napoleon. Eddie becomes a changed man and issues orders to everyone. Meantime the boss believes Eddie to be the rightful owner of the company so let's him have his way. With the boss ill, Eddie invests heavily in the nutmeg market, almost bankrupting the company. By luck the research department discover that nutmeg is the secret ingredient for the new hair-restorer. The 1933 British Lion comedy feature film "Strike It Rich" starring George Gee and Gina Malo seems to be a 'lost' film on the 35mm cinema film format. However it was released (sadly savagely cut) on the UK Pathescope 9.5mm home movie film format in December 1938. One musical number was cut from the 9.5mm feature film release, but issued separately in a 9.5mm Pathe Vox Review. This print has this extra item edited back in."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. George K. Gee does an admirable job with the material provided, but one can't help but feel that a more daring directorial approach would have yielded a more impactful result. It is a competent but ultimately standard genre performance.

The direction by Leslie S. Hiscott is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 38 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is Strike It Rich truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Comedy, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, Strike It Rich explores the dichotomy of truth and perception. The 1933 audience is increasingly sophisticated, and Leslie S. Hiscott respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, Strike It Rich is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of George K. Gee or the critical acclaim surrounding its release, Strike It Rich is a film that demands to be seen on the largest screen possible.