Is Ta třetí Worth Watching? Honest Movie Review & Audience Verdict (1969)
At the funeral of his schoolmate, the nearly-fifty-year old architect Jirí Mánek (Václav Voska) meets his former close acquaintance - physician Jarmila (Blanka Bohdanová). They both are still single. Jarmila has recently returned to Prague after years of work on the frontier. Jirí leaves for a business trip. As a conservationist, he is to grant permission for an adaptation of a Baroque château to office spaces. On the road, a pretty young hitchhiker named Eva (Ida Rapaicová) stops him. Eva is Slovak and her spontaneous behavior enchants Jirí. He thus does not mind making a short detour and takes Eva all the way to the luxurious cottage of her parents. A romance develops between the two people, so different in age and temperament.
✨ The Quick Verdict
If you are a fan of Drama cinema, then Ta třetí offers a standard experience that justifies its existence in the 1969 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
In the evolving tapestry of Drama cinema, the 1969 release of Ta třetí stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into At the funeral of his schoolmate, the nearly-fifty-year old architect Jirí Mánek (Václav Voska) meets his former close acquaintance - physician Jarmila (Blanka Bohdanová). As the story unfolds, we are introduced to a world where the traditional boundaries of Drama are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "At the funeral of his schoolmate, the nearly-fifty-year old architect Jirí Mánek (Václav Voska) meets his former close acquaintance - physician Jarmila (Blanka Bohdanová). They both are still single. Jarmila has recently returned to Prague after years of work on the frontier. Jirí leaves for a business trip. As a conservationist, he is to grant permission for an adaptation of a Baroque château to office spaces. On the road, a pretty young hitchhiker named Eva (Ida Rapaicová) stops him. Eva is Slovak and her spontaneous behavior enchants Jirí. He thus does not mind making a short detour and takes Eva all the way to the luxurious cottage of her parents. A romance develops between the two people, so different in age and temperament."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The presence of Václav Voska provides a necessary level of professionalism to the production, even when the underlying script struggles to maintain a consistent tone. It is a testament to their skill that they remain the most engaging element of the film.
The direction by Jaroslav Balík is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 98 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is Ta třetí truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Drama, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, Ta třetí explores the dichotomy of truth and perception. The 1969 audience is increasingly sophisticated, and Jaroslav Balík respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, Ta třetí is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Václav Voska or the critical acclaim surrounding its release, Ta třetí is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 1.6 hours, the film requires a standard time commitment.