Is The 17th Annual Animation Show Of Shows Worth Watching? Honest Movie Review & Audience Verdict (2015)
A theatrical compilation of new animated shorts, including: The Story of Percival Pilts (Janette Goodey & John Lewis, Australia/New Zealand); Tant de forest (Geoffrey Godet & Burcu Sankur, France); Snowfall (Conor Whelan, Ireland); The Ballad of Holland Island House (Lynn Tomlinson, U.S.); Behind the Trees (Amanda Palmer and Avi Ofer, U.S.); We Can't Live Without Cosmos (Konstantin Bronzit, Russia); Messages Dans L'Air (Isabel Favez, Switzerland); Stripy (Babak Nekooei & Behnoud Nekooei, Iran); Ascension (Thomas Bourdis, Martin de Coudenhove, Caroline Domergue, Colin Laubry & Florian Vecchione, France); Love In The Time of March Madness (Melissa Johnson and Robertino Zambrano, U.S. & Australia); World of Tomorrow (Don Hertzfeldt, U.S.)
✨ The Quick Verdict
If you are a fan of Documentary cinema, then The 17th Annual Animation Show Of Shows offers a fresh and engaging experience that justifies its existence in the 2015 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
In the evolving tapestry of Documentary cinema, the 2015 release of The 17th Annual Animation Show Of Shows stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into A theatrical compilation of new animated shorts, including: The Story of Percival Pilts (Janette Goodey & John Lewis, Australia/New Zealand); Tant de forest (Geoffrey Godet & Burcu Sankur, France); Snowfall (Conor Whelan, Ireland); The Ballad of Holland Island House (Lynn Tomlinson, U. As the story unfolds, we are introduced to a world where the traditional boundaries of Documentary are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "A theatrical compilation of new animated shorts, including: The Story of Percival Pilts (Janette Goodey & John Lewis, Australia/New Zealand); Tant de forest (Geoffrey Godet & Burcu Sankur, France); Snowfall (Conor Whelan, Ireland); The Ballad of Holland Island House (Lynn Tomlinson, U.S.); Behind the Trees (Amanda Palmer and Avi Ofer, U.S.); We Can't Live Without Cosmos (Konstantin Bronzit, Russia); Messages Dans L'Air (Isabel Favez, Switzerland); Stripy (Babak Nekooei & Behnoud Nekooei, Iran); Ascension (Thomas Bourdis, Martin de Coudenhove, Caroline Domergue, Colin Laubry & Florian Vecchione, France); Love In The Time of March Madness (Melissa Johnson and Robertino Zambrano, U.S. & Australia); World of Tomorrow (Don Hertzfeldt, U.S.)"
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The performance by Mark Hadlow is nothing short of transformative, providing an emotional anchor that tethers the film's more abstract concepts to a relatable human experience. Mark Hadlow captures the nuance of the script with a performance that will likely define their career for years to come.
The direction by Katelyn Howes is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 97 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is The 17th Annual Animation Show Of Shows truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Documentary, then this is a highly recommended entry that delivers on its promises while offering a few surprises along the way.
The film's ability to perfectly execute its genre requirements is why it has earned its 7/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, The 17th Annual Animation Show Of Shows explores the dichotomy of truth and perception. The 2015 audience is increasingly sophisticated, and Katelyn Howes respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, The 17th Annual Animation Show Of Shows serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Mark Hadlow or the critical acclaim surrounding its release, The 17th Annual Animation Show Of Shows is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 1.6 hours, the film requires a standard time commitment.