Is The Best is Yet to Come Worth Watching? Honest Movie Review & Audience Verdict (2014)
A TV presenter discusses several issues concerning the Arab region and Arab identity through the representation of a Kuwaiti student who travels to Egypt to resume his studies and crosses paths with an Egyptian girl whose parents oppose their marriage.
✨ The Quick Verdict
If you are a fan of Comedy cinema, then The Best is Yet to Come offers a standard experience that justifies its existence in the 2014 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
In the evolving tapestry of Comedy cinema, the 2014 release of The Best is Yet to Come stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into A TV presenter discusses several issues concerning the Arab region and Arab identity through the representation of a Kuwaiti student who travels to Egypt to resume his studies and crosses paths with an Egyptian girl whose parents oppose their marriage. As the story unfolds, we are introduced to a world where the traditional boundaries of Comedy are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "A TV presenter discusses several issues concerning the Arab region and Arab identity through the representation of a Kuwaiti student who travels to Egypt to resume his studies and crosses paths with an Egyptian girl whose parents oppose their marriage."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The presence of Alaa Morsy provides a necessary level of professionalism to the production, even when the underlying script struggles to maintain a consistent tone. It is a testament to their skill that they remain the most engaging element of the film.
The direction by Mohamed Al Shura is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 79 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is The Best is Yet to Come truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Comedy, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, The Best is Yet to Come explores the dichotomy of truth and perception. The 2014 audience is increasingly sophisticated, and Mohamed Al Shura respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, The Best is Yet to Come is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Alaa Morsy or the critical acclaim surrounding its release, The Best is Yet to Come is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 1.3 hours, the film requires a standard time commitment.