Is The Breaking of the Drought Worth Watching? Honest Movie Review & Audience Verdict (1920)

The Narrative Arc & Core Premise

In the evolving tapestry of Drama cinema, the 1920 release of The Breaking of the Drought stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into Wallaby Station in the outback is devastated by drought. As the story unfolds, we are introduced to a world where the traditional boundaries of Drama are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Wallaby Station in the outback is devastated by drought. The sheep are starving, but Jo Galloway (Charles Beetham) and his wife (Nan Taylor) battle on. Their son Gilbert (Rawdon Blandford) falls in with the wrong crowd while studying medicine in Sydney: conman Varsy Lyddleton (John Faulkner) and the seductress Olive Lorette (Marie La Varre). Gilbert forges his mother’s cheques to pay for Olive’s favours, ruining the family. A bank takes ‘friendly possession’ of Wallaby Station. Gilbert’s sister Marjorie (Trilby Clark) keeps her brother out of jail, but he becomes a tramp, after Lyddleton murders Olive and kills himself. Marjorie’s suitor Tom Wattleby (Dunstan Webb) saves Gilbert from a bushfire, just as the drought breaks, restoring the family’s fortunes. Marjorie and Tom can now wed, as the sheep and cattle fatten on rich pasture."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. While the script occasionally leans into familiar territory, the efforts of Charles Beetham ensure that the emotional beats of The Breaking of the Drought always land with sufficient weight. Charles Beetham provides a steady, reliable performance that anchors the film through its narrative shifts.

The direction by Franklyn Barrett is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 87 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is The Breaking of the Drought truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Drama, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 5.2/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, The Breaking of the Drought explores the dichotomy of truth and perception. The 1920 audience is increasingly sophisticated, and Franklyn Barrett respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, The Breaking of the Drought is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Charles Beetham or the critical acclaim surrounding its release, The Breaking of the Drought is a film that demands to be seen on the largest screen possible.