Profit & Loss Analysis

Is The Devil's Toy Worth Watching? Honest Movie Review & Audience Verdict (1966)
This short 1966 documentary dedicated "to all victims of intolerance” depicts the dawn of skateboarding in Montreal. A new activity frowned upon by police and adults, skateboarding...
✨ The Quick Verdict
If you are a fan of Documentary cinema, then The Devil's Toy offers a standard experience that justifies its existence in the 1966 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
Debuting in 1966, The Devil's Toy represents a sophisticated intersection of artistic ambition and genre-defining elements within the Documentary category. The primary thematic concern of the film is an investigation into This short 1966 documentary dedicated "to all victims of intolerance” depicts the dawn of skateboarding in Montreal. As the story unfolds, we are introduced to a world where the traditional boundaries of Documentary are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "This short 1966 documentary dedicated "to all victims of intolerance” depicts the dawn of skateboarding in Montreal. A new activity frowned upon by police and adults, skateboarding gave youngsters a thrilling sensation of speed and freedom. This film - the first Canadian documentary ever made about the sport - captures the exuberance of boys and girls having the time of their lives in free-wheeling downhill locomotion. Jutra's 1966 mockumentary film The Devil's Toy (Rouli-roulant), is a faux-anti-skateboarding propaganda film."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The ensemble, led by Pierre Charpentier, delivers a professional and engaging performance that satisfies the requirements of the Documentary genre. While it may not reinvent the wheel, the commitment to the material is evident in every frame.
The direction by Claude Jutra is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 15 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is The Devil's Toy truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Documentary, then this is a highly recommended entry that delivers on its promises while offering a few surprises along the way.
The film's ability to perfectly execute its genre requirements is why it has earned its 6.3/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, The Devil's Toy explores the dichotomy of truth and perception. The 1966 audience is increasingly sophisticated, and Claude Jutra respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, The Devil's Toy serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Pierre Charpentier or the critical acclaim surrounding its release, The Devil's Toy is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 0.3 hours, the film requires a standard time commitment.