RATING★ TBA
WORTH IT? NO
The Metropolitan Opera: Don Giovanni backdrop
🏆

Expert Review & Ratings

See our full critical analysis and audience score for The Metropolitan Opera: Don Giovanni.

View Review →
WORTH WATCHING: MIXED
Editorial Verified

Is The Metropolitan Opera: Don Giovanni Worth Watching? Honest Movie Review & Audience Verdict (2023)

Tony Award–winning director Ivo van Hove makes a major Met debut with a new take on Mozart’s tragicomedy, re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the dark corners of the story and its characters. Maestro Nathalie Stutzmann makes her Met debut conducting a star-studded cast led by baritone Peter Mattei as a magnetic Don Giovanni, alongside the Leporello of bass-baritone Adam Plachetka. Sopranos Federica Lombardi, Ana María Martínez, and Ying Fang make a superlative trio as Giovanni’s conquests—Donna Anna, Donna Elvira, and Zerlina—and tenor Ben Bliss is Don Ottavio.

Advertisement

✨ The Quick Verdict

SKIP IT

If you are a fan of Music, Drama cinema, then The Metropolitan Opera: Don Giovanni offers a standard experience that justifies its existence in the 2023 landscape.

Advertisement

👥 Target Audience

Fans of Music films
Fans of Drama films
casual viewers seeking light entertainment

📔 Detailed Analysis

The Narrative Arc & Core Premise

Debuting in 2023, The Metropolitan Opera: Don Giovanni represents a sophisticated intersection of artistic ambition and genre-defining elements within the Music, Drama category. The primary thematic concern of the film is an investigation into Tony Award–winning director Ivo van Hove makes a major Met debut with a new take on Mozart’s tragicomedy, re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the dark corners of the story and its characters. As the story unfolds, we are introduced to a world where the traditional boundaries of Music, Drama are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Tony Award–winning director Ivo van Hove makes a major Met debut with a new take on Mozart’s tragicomedy, re-setting the familiar tale of deceit and damnation in an abstract architectural landscape and shining a light into the dark corners of the story and its characters. Maestro Nathalie Stutzmann makes her Met debut conducting a star-studded cast led by baritone Peter Mattei as a magnetic Don Giovanni, alongside the Leporello of bass-baritone Adam Plachetka. Sopranos Federica Lombardi, Ana María Martínez, and Ying Fang make a superlative trio as Giovanni’s conquests—Donna Anna, Donna Elvira, and Zerlina—and tenor Ben Bliss is Don Ottavio."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Peter Mattei does an admirable job with the material provided, but one can't help but feel that a more daring directorial approach would have yielded a more impactful result. It is a competent but ultimately standard genre performance.

The direction by Gary Halvorson is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 195 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is The Metropolitan Opera: Don Giovanni truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Music, Drama, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, The Metropolitan Opera: Don Giovanni explores the dichotomy of truth and perception. The 2023 audience is increasingly sophisticated, and Gary Halvorson respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, The Metropolitan Opera: Don Giovanni is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Peter Mattei or the critical acclaim surrounding its release, The Metropolitan Opera: Don Giovanni is a film that demands to be seen on the largest screen possible.

Official movieMx Verdict: INTERESTING - VIEW WITH CAUTION

⏳ Time Investment

195MIN

At approximately 3.3 hours, the film requires a significant time commitment.

Advertisement