RATING★ 4.0
WORTH IT? NO
The Metropolitan Opera: Hamlet backdrop
🏆

Expert Review & Ratings

See our full critical analysis and audience score for The Metropolitan Opera: Hamlet.

View Review →
WORTH WATCHING: MIXED
Editorial Verified

Is The Metropolitan Opera: Hamlet Worth Watching? Honest Movie Review & Audience Verdict (2022)

When Australian composer Brett Dean’s Hamlet had its world premiere at the Glyndebourne Festival in 2017, The Guardian declared, “New opera doesn’t often get to sound this good … Shakespeare offers a gauntlet to composers that shouldn’t always be picked up, but Dean’s Hamlet rises to the challenge.” On June 4, this riveting contemporary masterpiece appears live in cinemas, with Neil Armfield, who directed the work’s premiere, bringing his acclaimed staging to the Met stage. Many of the original cast members have followed, including tenor Allan Clayton in the title role. Nicholas Carter makes his Met debut conducting a remarkable ensemble, which also features soprano Brenda Rae as Ophelia, mezzo-soprano Sarah Connolly as Gertrude, baritone Rod Gilfry as Claudius, and legendary bass John Tomlinson as the ghost of Hamlet’s father. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe

Advertisement

✨ The Quick Verdict

SKIP IT

If you are a fan of Music cinema, then The Metropolitan Opera: Hamlet offers a standard experience that justifies its existence in the 2022 landscape.

Advertisement

👥 Target Audience

Fans of Music films
casual viewers seeking light entertainment

📔 Detailed Analysis

The Narrative Arc & Core Premise

The Metropolitan Opera: Hamlet, a standout production of 2022, meticulously weaves its narrative threads through the Music landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into When Australian composer Brett Dean’s Hamlet had its world premiere at the Glyndebourne Festival in 2017, The Guardian declared, “New opera doesn’t often get to sound this good … Shakespeare offers a gauntlet to composers that shouldn’t always be picked up, but Dean’s Hamlet rises to the challenge. As the story unfolds, we are introduced to a world where the traditional boundaries of Music are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "When Australian composer Brett Dean’s Hamlet had its world premiere at the Glyndebourne Festival in 2017, The Guardian declared, “New opera doesn’t often get to sound this good … Shakespeare offers a gauntlet to composers that shouldn’t always be picked up, but Dean’s Hamlet rises to the challenge.” On June 4, this riveting contemporary masterpiece appears live in cinemas, with Neil Armfield, who directed the work’s premiere, bringing his acclaimed staging to the Met stage. Many of the original cast members have followed, including tenor Allan Clayton in the title role. Nicholas Carter makes his Met debut conducting a remarkable ensemble, which also features soprano Brenda Rae as Ophelia, mezzo-soprano Sarah Connolly as Gertrude, baritone Rod Gilfry as Claudius, and legendary bass John Tomlinson as the ghost of Hamlet’s father. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe"

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The presence of Allan Clayton provides a necessary level of professionalism to the production, even when the underlying script struggles to maintain a consistent tone. It is a testament to their skill that they remain the most engaging element of the film.

The direction by Neil Armfield is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 195 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is The Metropolitan Opera: Hamlet truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Music, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 4/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, The Metropolitan Opera: Hamlet explores the dichotomy of truth and perception. The 2022 audience is increasingly sophisticated, and Neil Armfield respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, The Metropolitan Opera: Hamlet is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Allan Clayton or the critical acclaim surrounding its release, The Metropolitan Opera: Hamlet is a film that demands to be seen on the largest screen possible.

Official movieMx Verdict: INTERESTING - VIEW WITH CAUTION

⏳ Time Investment

195MIN

At approximately 3.3 hours, the film requires a significant time commitment.

Advertisement