RATING★ 7.7
WORTH IT? YES
The Metropolitan Opera: The Exterminating Angel backdrop
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Expert Review & Ratings

See our full critical analysis and audience score for The Metropolitan Opera: The Exterminating Angel.

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WORTH WATCHING: YES
Editorial Verified

Is The Metropolitan Opera: The Exterminating Angel Worth Watching? Honest Movie Review & Audience Verdict (2017)

After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot.

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✨ The Quick Verdict

YES, ABSOLUTELY

If you are a fan of Fantasy, Music cinema, then The Metropolitan Opera: The Exterminating Angel offers a fresh and engaging experience that justifies its existence in the 2017 landscape.

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👥 Target Audience

Fans of Fantasy films
Fans of Music films
Viewers seeking quality storytelling

📔 Detailed Analysis

The Narrative Arc & Core Premise

Debuting in 2017, The Metropolitan Opera: The Exterminating Angel represents a sophisticated intersection of artistic ambition and genre-defining elements within the Fantasy, Music category. The primary thematic concern of the film is an investigation into After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the story unfolds, we are introduced to a world where the traditional boundaries of Fantasy, Music are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "After the acclaimed Met premiere of Thomas Adès's "The Tempest" in 2012, the composer returned with another masterpiece, this time inspired by filmmaker Luis Buñuel's seminal surrealist classic "El Ángel Exterminador", during the 2017–18 season. As the opera opens, a group of elegant socialites gather for a lavish dinner party, but when it is time to leave for the night, no one is able to escape. Soon, their behavior becomes increasingly erratic and savage. The large ensemble cast tackles both the vocal and dramatic demands of Adès's opera with one riveting performance after another. Tom Cairns, who also penned the work's libretto, directs an engrossing and inventive production, using a towering wooden archway to trap the characters onstage. And Adès himself takes the podium to conduct the frenzied score, which features a host of unconventional instruments, including the eerie electronic ondes Martenot."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Anchoring the narrative with a presence that is both commanding and subtle, Joseph Kaiser delivers a turn that is both technically flawless and emotionally resonant. This is Fantasy acting at its most potent.

The direction by Tom Cairns is marked by a bold and uncompromising hand. Technically, the film is a tour de force. The cinematography makes exceptional use of light and shadow, creating a visual language that mirrors the character's internal journey. The soundscape is equally impressive, with a score that is both haunting and celebratory, perfectly aligned with the thematic progression of the plot. The pacing, over its 142 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is The Metropolitan Opera: The Exterminating Angel truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Fantasy, Music, then this is a mandatory viewing experience, a film that will haunt your thoughts long after you leave the theater.

The film's ability to transcend its genre labels is why it has earned its 7.7/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, The Metropolitan Opera: The Exterminating Angel explores the dichotomy of truth and perception. The 2017 audience is increasingly sophisticated, and Tom Cairns respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, The Metropolitan Opera: The Exterminating Angel is a rare gem that rewards the audience's attention with a profound and lasting impact. Whether you are drawn to it by the star power of Joseph Kaiser or the critical acclaim surrounding its release, The Metropolitan Opera: The Exterminating Angel is a film that demands to be seen on the largest screen possible.

Official movieMx Verdict: EXCEPTIONAL - A MUST-WATCH

⏳ Time Investment

142MIN

At approximately 2.4 hours, the film requires a significant time commitment.

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