RATING★ 5.0
WORTH IT? MAYBE
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Expert Review & Ratings

See our full critical analysis and audience score for The Murder.

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WORTH WATCHING: MIXED
Editorial Verified

Is The Murder Worth Watching? Honest Movie Review & Audience Verdict (1983)

Young punk Eddy Fong is having an affair with Joyce Ho, who is unhappily married to dull and middle aged office manager Ho Sun....

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✨ The Quick Verdict

ONE-TIME WATCH

If you are a fan of Thriller, Crime cinema, then The Murder offers a standard experience that justifies its existence in the 1983 landscape.

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👥 Target Audience

Fans of Thriller films
Fans of Crime films
casual viewers seeking light entertainment

📔 Detailed Analysis

The Narrative Arc & Core Premise

In the evolving tapestry of Thriller, Crime cinema, the 1983 release of The Murder stands as a landmark endeavor that pushes the boundaries of conventional storytelling. The primary thematic concern of the film is an investigation into Young punk Eddy Fong is having an affair with Joyce Ho, who is unhappily married to dull and middle aged office manager Ho Sun. As the story unfolds, we are introduced to a world where the traditional boundaries of Thriller, Crime are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "Young punk Eddy Fong is having an affair with Joyce Ho, who is unhappily married to dull and middle aged office manager Ho Sun."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. While the script occasionally leans into familiar territory, the efforts of Eddie Chen ensure that the emotional beats of The Murder always land with sufficient weight. Eddie Chen provides a steady, reliable performance that anchors the film through its narrative shifts.

The direction by Lee Chiu is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 86 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is The Murder truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Thriller, Crime, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 5/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, The Murder explores the dichotomy of truth and perception. The 1983 audience is increasingly sophisticated, and Lee Chiu respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, The Murder is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Eddie Chen or the critical acclaim surrounding its release, The Murder is a film that demands to be seen on the largest screen possible.

Official movieMx Verdict: INTERESTING - VIEW WITH CAUTION

⏳ Time Investment

86MIN

At approximately 1.4 hours, the film requires a standard time commitment.

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