
Is The New Gentlemen Worth Watching? Honest Movie Review & Audience Verdict (1929)
The plot focuses on Gaillac (Albert Prejean), an electrician employed by the Paris Opera. In love with gorgeous ballerina Suzanne (Gaby Morlay), Gaillac must play second fiddle to Suzanne's wealthy "protector," powerful politician Count Montoire (Henry Roussell). When the Opera personnel go on strike, Gaillac is appointed leader of the strikers, doing his job so well that he is ultimately elected Secretary of Labor in the French cabinet. Now on equal footing with Montoire, Gaillac is at last a "worthy" suitor for Suzanne -- who can't make up her mind between her two well-connected admirers, leading to a political rivalry the likes of which Paris has never seen. This harmless political satire ended up being banned by the French government for undermining "the dignity of Parliament and its ministers". (moviefone.com)
✨ The Quick Verdict
If you are a fan of Drama, Romance, Comedy cinema, then The New Gentlemen offers a standard experience that justifies its existence in the 1929 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
Debuting in 1929, The New Gentlemen represents a sophisticated intersection of artistic ambition and genre-defining elements within the Drama, Romance, Comedy category. The primary thematic concern of the film is an investigation into The plot focuses on Gaillac (Albert Prejean), an electrician employed by the Paris Opera. As the story unfolds, we are introduced to a world where the traditional boundaries of Drama, Romance, Comedy are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "The plot focuses on Gaillac (Albert Prejean), an electrician employed by the Paris Opera. In love with gorgeous ballerina Suzanne (Gaby Morlay), Gaillac must play second fiddle to Suzanne's wealthy "protector," powerful politician Count Montoire (Henry Roussell). When the Opera personnel go on strike, Gaillac is appointed leader of the strikers, doing his job so well that he is ultimately elected Secretary of Labor in the French cabinet. Now on equal footing with Montoire, Gaillac is at last a "worthy" suitor for Suzanne -- who can't make up her mind between her two well-connected admirers, leading to a political rivalry the likes of which Paris has never seen. This harmless political satire ended up being banned by the French government for undermining "the dignity of Parliament and its ministers". (moviefone.com)"
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. In The New Gentlemen, we see Albert Préjean utilizing their established screen presence to carry the story forward. It is a solid, workmanlike performance that serves the director's vision without overshadowing the larger narrative goals.
The direction by Jacques Feyder is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 123 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is The New Gentlemen truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Drama, Romance, Comedy, then this is a highly recommended entry that delivers on its promises while offering a few surprises along the way.
The film's ability to perfectly execute its genre requirements is why it has earned its 6.2/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, The New Gentlemen explores the dichotomy of truth and perception. The 1929 audience is increasingly sophisticated, and Jacques Feyder respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, The New Gentlemen serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Albert Préjean or the critical acclaim surrounding its release, The New Gentlemen is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 2.1 hours, the film requires a standard time commitment.