
Is The Prosecutor, the Defender, the Father and his Son Worth Watching? Honest Movie Review & Audience Verdict (2016)
The Hague, the International Criminal Tribunal for the former Yugoslavia: Two ambitious lawyers face each other in the trial of Milorad Krstić, who’s accused of committing war crimes as a commander in the Bosnian war. The defender, Mikhail Finn, has managed to refute all the accusations against his client. Convinced of Krstic´s guilt, Catherine Lagrange, the prosecutor, summons a young man with incriminating evidence against Krstić. He claims to have been abandoned by his parents as a child and to have been one of Krstić’s soldiers. Defender Finn starts to investigate in order to verify the witness’ testimony – and soon encounters the young man’s family. Inspired by a true story.
✨ The Quick Verdict
If you are a fan of Documentary, Drama cinema, then The Prosecutor, the Defender, the Father and his Son offers a standard experience that justifies its existence in the 2016 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
Debuting in 2016, The Prosecutor, the Defender, the Father and his Son represents a sophisticated intersection of artistic ambition and genre-defining elements within the Documentary, Drama category. The primary thematic concern of the film is an investigation into The Hague, the International Criminal Tribunal for the former Yugoslavia: Two ambitious lawyers face each other in the trial of Milorad Krstić, who’s accused of committing war crimes as a commander in the Bosnian war. As the story unfolds, we are introduced to a world where the traditional boundaries of Documentary, Drama are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "The Hague, the International Criminal Tribunal for the former Yugoslavia: Two ambitious lawyers face each other in the trial of Milorad Krstić, who’s accused of committing war crimes as a commander in the Bosnian war. The defender, Mikhail Finn, has managed to refute all the accusations against his client. Convinced of Krstic´s guilt, Catherine Lagrange, the prosecutor, summons a young man with incriminating evidence against Krstić. He claims to have been abandoned by his parents as a child and to have been one of Krstić’s soldiers. Defender Finn starts to investigate in order to verify the witness’ testimony – and soon encounters the young man’s family. Inspired by a true story."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. In The Prosecutor, the Defender, the Father and his Son, we see Romane Bohringer utilizing their established screen presence to carry the story forward. It is a solid, workmanlike performance that serves the director's vision without overshadowing the larger narrative goals.
The direction by Iglika Triffonova is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 105 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is The Prosecutor, the Defender, the Father and his Son truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Documentary, Drama, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 5.5/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, The Prosecutor, the Defender, the Father and his Son explores the dichotomy of truth and perception. The 2016 audience is increasingly sophisticated, and Iglika Triffonova respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, The Prosecutor, the Defender, the Father and his Son serves as a reliable piece of entertainment that will satisfy core fans while providing a solid entry point for new viewers. Whether you are drawn to it by the star power of Romane Bohringer or the critical acclaim surrounding its release, The Prosecutor, the Defender, the Father and his Son is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 1.8 hours, the film requires a standard time commitment.