Is The Tale of Tsar Saltan Worth Watching? Honest Movie Review & Audience Verdict (1943)
The story is about three sisters. The youngest is chosen by Tsar Saltan to be his wife. He orders the other two sisters to be his royal cook and weaver. They become jealous of their younger sister. When the tsar goes off to war, the tsaritsa gives birth to a son, Prince Gvidon (Gvidón.) The older sisters arrange to have the tsaritsa and the child sealed in a barrel and thrown into the sea. The sea takes pity on them and casts them on the shore of a remote island, Buyan. The son, having quickly grown while in the barrel, goes hunting. He ends up saving an enchanted swan from a kite bird. The swan creates a city for Prince Gvidon to rule, but he is homesick, so the swan turns him into a mosquito to help him. In this guise, he visits Tsar Saltan's court, where he stings his aunt in the eye and escapes. Back in his realm, the swan gives Gvidon a magical squirrel. But he continues to pine for home, so the swan transforms him again, this time into a fly.
✨ The Quick Verdict
If you are a fan of Animation, Family, Fantasy cinema, then The Tale of Tsar Saltan offers a standard experience that justifies its existence in the 1943 landscape.
👥 Target Audience
📔 Detailed Analysis
The Narrative Arc & Core Premise
The Tale of Tsar Saltan, a standout production of 1943, meticulously weaves its narrative threads through the Animation, Family, Fantasy landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into The story is about three sisters. As the story unfolds, we are introduced to a world where the traditional boundaries of Animation, Family, Fantasy are tested.
The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "The story is about three sisters. The youngest is chosen by Tsar Saltan to be his wife. He orders the other two sisters to be his royal cook and weaver. They become jealous of their younger sister. When the tsar goes off to war, the tsaritsa gives birth to a son, Prince Gvidon (Gvidón.) The older sisters arrange to have the tsaritsa and the child sealed in a barrel and thrown into the sea. The sea takes pity on them and casts them on the shore of a remote island, Buyan. The son, having quickly grown while in the barrel, goes hunting. He ends up saving an enchanted swan from a kite bird. The swan creates a city for Prince Gvidon to rule, but he is homesick, so the swan turns him into a mosquito to help him. In this guise, he visits Tsar Saltan's court, where he stings his aunt in the eye and escapes. Back in his realm, the swan gives Gvidon a magical squirrel. But he continues to pine for home, so the swan transforms him again, this time into a fly."
Artistic Execution & Performance Study
A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. The presence of Mariya Babanova provides a necessary level of professionalism to the production, even when the underlying script struggles to maintain a consistent tone. It is a testament to their skill that they remain the most engaging element of the film.
The direction by Zinaida Brumberg is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 35 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.
Critical Assessment: Why You Should Watch
Is The Tale of Tsar Saltan truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Animation, Family, Fantasy, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.
The film's ability to perfectly execute its genre requirements is why it has earned its 1/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.
Philosophical Subtext & Directorial Vision
At a deeper level, The Tale of Tsar Saltan explores the dichotomy of truth and perception. The 1943 audience is increasingly sophisticated, and Zinaida Brumberg respects this by refusing to provide easy answers to the story's complex questions.
The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.
Final Editorial Recommendation
Ultimately, The Tale of Tsar Saltan is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Mariya Babanova or the critical acclaim surrounding its release, The Tale of Tsar Saltan is a film that demands to be seen on the largest screen possible.
⏳ Time Investment
At approximately 0.6 hours, the film requires a standard time commitment.