RATINGโ˜… TBA
WORTH IT? NO
To Fly! backdrop
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Expert Review & Ratings

See our full critical analysis and audience score for To Fly!.

View Review โ†’
โ˜… WORTH WATCHING: MIXED
Editorial Verified

Is To Fly! Worth Watching? Honest Movie Review & Audience Verdict (1999)

1950s. Gege (Giuseppe Cristofaro) is a delicate child who lives in a hard world that does not accept it. He thus takes refuge in the dream to escape the many small daily harassment...

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โœจ The Quick Verdict

SKIP IT

If you are a fan of Drama cinema, then To Fly! offers a standard experience that justifies its existence in the 1999 landscape.

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๐Ÿ‘ฅ Target Audience

โœ“ Fans of Drama films
โœ“ casual viewers seeking light entertainment

๐Ÿ“” Detailed Analysis

The Narrative Arc & Core Premise

Debuting in 1999, To Fly! represents a sophisticated intersection of artistic ambition and genre-defining elements within the Drama category. The primary thematic concern of the film is an investigation into 1950s. As the story unfolds, we are introduced to a world where the traditional boundaries of Drama are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "1950s. Gege (Giuseppe Cristofaro) is a delicate child who lives in a hard world that does not accept it. He thus takes refuge in the dream to escape the many small daily harassment. His desire would be to become an airplane pilot and for this the notes of "Volare" by Domenico Modugno accompany his days."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Massimo Ranieri does an admirable job with the material provided, but one can't help but feel that a more daring directorial approach would have yielded a more impactful result. It is a competent but ultimately standard genre performance.

The direction by Vittorio De Sisti is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 90 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is To Fly! truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Drama, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, To Fly! explores the dichotomy of truth and perception. The 1999 audience is increasingly sophisticated, and Vittorio De Sisti respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, To Fly! is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Massimo Ranieri or the critical acclaim surrounding its release, To Fly! is a film that demands to be seen on the largest screen possible.

Official movieMx Verdict: INTERESTING - VIEW WITH CAUTION

โณ Time Investment

90MIN

At approximately 1.5 hours, the film requires a standard time commitment.

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