Is We Are All Leaving Worth Watching? Honest Movie Review & Audience Verdict (2019)

The Narrative Arc & Core Premise

We Are All Leaving, a standout production of 2019, meticulously weaves its narrative threads through the Drama landscape, offering a cinematic experience that is as challenging as it is rewarding. The primary thematic concern of the film is an investigation into 22-year-old Jeppe is suffering from autism and works in a camping shop in his birth town Silkeborg. As the story unfolds, we are introduced to a world where the traditional boundaries of Drama are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "22-year-old Jeppe is suffering from autism and works in a camping shop in his birth town Silkeborg. Everything seems chaos when a colleague suddenly decides to change all the systems in the shop. But when the city girl Mynthe and her two girlfriends check into the camping site, Jeppe cannot concentrate on anything else but the fascination of this strange girl. Mynthe is on vacation - away from her mother and an unstable life. When she meets Jeppe at a summer party, she somehow finds the stability she has longed for. They fall in love with each other's differences with ties so close that Jeppe begins to fear the day the holiday is over and Mynthe has to go back to Copenhagen. Keeping the love between the two youngsters seems impossible - until Jeppe realizes that Mynthe may need him more than he needs her."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Despite the inherent talent of Laura Bach, the performance in We Are All Leaving feels somewhat constrained by a narrative framework that doesn't fully exploit their range. There are flashes of brilliance, but the overall impact is muted.

The direction by Jonas Risvig is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 28 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is We Are All Leaving truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Drama, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, We Are All Leaving explores the dichotomy of truth and perception. The 2019 audience is increasingly sophisticated, and Jonas Risvig respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, We Are All Leaving is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Laura Bach or the critical acclaim surrounding its release, We Are All Leaving is a film that demands to be seen on the largest screen possible.