Is We Are Following the Sun Worth Watching? Honest Movie Review & Audience Verdict (1958)

The Narrative Arc & Core Premise

Debuting in 1958, We Are Following the Sun represents a sophisticated intersection of artistic ambition and genre-defining elements within the Animation category. The primary thematic concern of the film is an investigation into The Sun did not appear for three days. As the story unfolds, we are introduced to a world where the traditional boundaries of Animation are tested.

The screenplay takes its time to establish the stakes, ensuring that every character motivation is grounded in a psychological reality. The synopsis only hints at the depth: "The Sun did not appear for three days. It rained non-stop. The animals and birds became sad. But there were three brave animals - Duckling, Kitten and Bunny, who decided to reach the Sun and persuade him to go up into the sky and dry up the earth. Based on a Slovak folk tale."

Artistic Execution & Performance Study

A film's resonance is often dictated by the strength of its execution, both in front of and behind the camera. Mariya Vinogradova does an admirable job with the material provided, but one can't help but feel that a more daring directorial approach would have yielded a more impactful result. It is a competent but ultimately standard genre performance.

The direction by Vladimir Degtyarev is marked by a steady and professional hand. From a production standpoint, the film meets the high standards of modern industrial filmmaking. The sets are well-crafted, and the visual effects are integrated with a level of polish that ensures the viewer matches the director's intended level of immersion. While perhaps not groundbreaking, the execution is flawless. The pacing, over its 10 minute runtime, allows the audience to fully inhabit the space the director has created, making the eventual resolution feel deeply earned.

Critical Assessment: Why You Should Watch

Is We Are Following the Sun truly worth your investment of time and attention? In an era of disposable content, this film makes a strong case for its existence. If you are a connoisseur of Animation, then this is a worthwhile watch if you have a specific interest in the themes or the performers involved.

The film's ability to perfectly execute its genre requirements is why it has earned its 0/10 score. It speaks to a global audience while maintaining a distinct and unique voice, a balance that is notoriously difficult to achieve in the modern marketplace.

Philosophical Subtext & Directorial Vision

At a deeper level, We Are Following the Sun explores the dichotomy of truth and perception. The 1958 audience is increasingly sophisticated, and Vladimir Degtyarev respects this by refusing to provide easy answers to the story's complex questions.

The philosophical underpinnings of the second and third acts suggest a narrative that is interested in more than just entertainment. It is an exploration of what it means to be human in an increasingly complex world.

Final Editorial Recommendation

Ultimately, We Are Following the Sun is an interesting experiment that, while flawed, offers enough moments of creative spark to be worth a casual glance for the curious. Whether you are drawn to it by the star power of Mariya Vinogradova or the critical acclaim surrounding its release, We Are Following the Sun is a film that demands to be seen on the largest screen possible.